Johann Heinrich Ramberg
Wielands 'Oberon' / Faksimile
edited by Frank Zollner, photographs by Martin Url
Johann Heinrich Ramberg gilt als einer der wichtigsten Buchillustratoren der deutschen Kunstgeschichte, dessen Schaffen pragend fur die Rezeptionsgeschichte deutscher Autoren um 1800 war. Einen Schwerpunkt seines bildkunstlerischen Schaffens bildet das eindrucksvolle Korpus von Zeichnungen zu Werken Christoph Martin Wielands, insbesondere zu dessen Versepos ‘Oberon’. Die Studie von Alexander Rosenbaum und Peter-Henning Haischer zu Rambergs Oberon-Zyklus von 1803 nimmt dessen Auseinandersetzung mit Wielands Dichtung in den Blick und entwickelt anhand der grossenteils noch unveroffentlichten Zeichnungen – exemplarisch fur den Supplementband zur Ossmannstedter Ausgabe der Werke Wielands – ein editorisches Konzept fur werkbezogene Illustrationskorpora.
- Photographs by Martin Url
- Edited by Frank Zollner
Other Titles in this Series
Literatur als Existenzweise?
Lebenskunst und Selbstkonstitution in Christoph Martin Wielands 'Aristipp und einige seiner Zeitgenossen'
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Circulation, Use, Impact
The Consumption of Architectural Books in the Early Modern Eastern Adriatic
Volume 1
ENTANGLED AFRICA
Intra-African Relations Between Rain Forest and Mediterranean from Around 4,000 BCE to 1,500 CE
European Drama and Performance Studies
Dramatisations politiques. Théâtre, politique et idéologie au XIXe siècle (1806-1914)
Volume 27
From the Frontiers of the Empire to the Borders of the Nations
Borderland Security and Safety in the (post-)Ottoman Spaces (1700–1939)
Gold, Silver and Glass: Power Networks, Cultural Identities, Technology Transfers and Agency across the Old World (7th Century BC – 1st Century AD)
Proceedings of a Conference Held at the British Museum, 16–18 June 2023
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Listening to the Swan Song
More-than-Human Beings and Sounds in Literature and Culture Through the Ages
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Performing Science, Mediating Knowledge
Science, Showmanship, and the Performance of Authority in the Long Nineteenth Century
Volume 21
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
