The Steenwyck Family as Masters of Perspective
By (author) Jeremy Howarth
The Steenwyck family – Hendrick the Elder and his son Hendrick the Younger, together with the latter’s wife Susanna Gaspoel, represent a remarkable group of artists, successful and well regarded in their own time, but now somewhat overlooked. They were among the first artists to concentrate on making use of the science of perspective to produce idealised and meticulously painted architectural scenes, enhanced by elegant figures, sometimes executed by artists of the quality of Jan Brueghel I, as the basis of a new style of painting. Spanning the turbulent period from the late 16th to the mid 17th centuries they succeeded in producing a new art form that found favour with connoisseurs in much of Europe, including the court of King Charles I in London, where Steenwyck the Younger worked for over 20 years. This book, the first ever written on the Steenwycks, covers the work of this talented family and explores the social, economic and religious conditions which help to explain the appeal of this elegant new style to their patrons. The catalogue raisonne covers the known works of the artists and contains detailed provenances and bibliographic references. The book contains a number of illustrations, including a number which will be barely known except by specialists in the subject.
- By (author) Jeremy Howarth
Other Titles in this Series
Peter Snayers (1592-1667)
Between Remembrance and Glorification: A Contextual Study of the Topographical Battle Paintings for the Habsburg Elite
Volume 22
Van Dyck’s Hosts in Genoa
Lucas and Cornelis de Wael's Lives, Business Activities and Works
Volume 19
Denijs van Alsloot (vers 1568? – 1625/26)
Peintre paysagiste au service de la cour des archiducs Albert et Isabelle Volume I
Volume 15
Denijs van Alsloot (vers 1568? – 1625/26)
Peintre paysagiste au service de la cour des archiducs Albert et Isabelle
Volume 15
The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621-1640
Part One: Text and Part Two: Plates
Volume 24
Corporate Splendour. Civic Group Portraits in Brabant 1585-1800
A Social, Typological, and Iconographic Approach
Volume 18
The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609-1620)
Part One: Text and Part Two: Images
Volume 23
Similar Books
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
Art and Mysticism in Silesia in the Baroque Period
Angelus Silesius, Bernhard Rosa, and Michael Willmann
Beiträge zur Islamischen Kunst und Archäologie
The Arts and Archaeology of Funerary Cultures in Islam
Volume 10.0
Die (Ent-)Politisierung der Kunstwissenschaft/(De)Politicising Art Studies
Marxistische Traditionslinien seit 1968/Marxist Traditions since 1968
Volume 27
Gender in Gandharan Art
Representations and Interactions in the Buddhist Context (1st-4th centuries CE)
