The Drawings of Peter Paul Rubens. A Critical Catalogue. Volume One / 1590-1608
By (author) Anne-Marie Logan By (author) Kristin Lohse Belkin
Hardback (Published)
(September 2021)
ISBN: 9782503595702
8.46 x 10.98 inches
Price: $220.00
In stock
This is Volume I of the three-volume catalogue raisonne of all drawings considered by the authors to be by Rubens. It covers the years 1590-1608, Volumes II and III dealing, respectively, with the periods 1609-20 and 1621-40. It is the first publication that presents the artist’s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens’s drawings at an one time. Volume I consists of the drawings of the artist’s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens’s copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens’s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color..
This is Volume I of the three-volume catalogue raisonne of all drawings considered by the authors to be by Rubens. It covers the years 1590-1608, Volumes II and III dealing, respectively, with the periods 1609-20 and 1621-40. It is the first publication that presents the artist’s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens’s drawings at an one time. Volume I consists of the drawings of the artist’s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens’s copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens’s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color..
- By (author) Anne-Marie Logan
- By (author) Kristin Lohse Belkin
Other Titles in this Series
Corporate Splendour. Civic Group Portraits in Brabant 1585-1800
A Social, Typological, and Iconographic Approach
Volume 18
The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621-1640
Part One: Text and Part Two: Plates
Volume 24
The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609-1620)
Part One: Text and Part Two: Images
Volume 23
Peter Snayers (1592-1667)
Between Remembrance and Glorification: A Contextual Study of the Topographical Battle Paintings for the Habsburg Elite
Volume 22
Van Dyck’s Hosts in Genoa
Lucas and Cornelis de Wael's Lives, Business Activities and Works
Volume 19
Denijs van Alsloot (vers 1568? – 1625/26)
Peintre paysagiste au service de la cour des archiducs Albert et Isabelle Volume I
Volume 15
Denijs van Alsloot (vers 1568? – 1625/26)
Peintre paysagiste au service de la cour des archiducs Albert et Isabelle
Volume 15
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