La musique face au systeme des arts

Ou les vicissitudes de l'imitation au siecle des Lumieres

Edited by Marie-Pauline Martin Edited by Chiara Savettieri Contributions by Andreas Beyer Contributions by Jan Blanc Contributions by Ulrike Boskamp Contributions by Cecile Champonnois Contributions by Jean-Francois Coz Contributions by Frederic Dassas Contributions by Elisabeth Decultot Contributions by Giuseppe di Liberti Contributions by Beatrice Didier Contributions by Alexandre Dratwicki Contributions by Enrico Fubini Contributions by Ghyslaine Guertin Contributions by Marian Hobson Contributions by Lorenzo Lattanzi Contributions by Elisabeth Lavezzi Contributions by Victoria Llort Llopart Contributions by Marie-Pauline Martin Contributions by Maddalena Mazzocut-Mis Contributions by Michel Noiray Contributions by Laetitia Pierre Contributions by Theodora Psychoyou Contributions by Emmanuel Reibel Contributions by Philipp Robinson Contributions by Chiara Savettieri Contributions by Maria Semi

Book cover: La musique face au systeme des arts

Extent: 352, 352 pages

Publisher: Librairie Philosophique J. Vrin

Subjects: Music & Performing Arts

Series: MusicologieS

Language: French

Paperback (Published)

(June 2014)

ISBN: 9782711625284

6.65 x 9.45 inches

Price: $37.00

Out of stock

Music has been part of the Arts since the seventeenth century, alongside poetry, painting, architecture, and even dance. The present volume examines the place of music as an art by which others can be judged and appreciated, breaking the boundaries that separate musicology, literature, philosophy, and art history. French text.


English summary: Music has been part of the Arts since the seventeenth century, alongside poetry, painting, architecture, and even dance. The present volume examines the place of music as an art by which others can be judged and appreciated, breaking the boundaries that separate musicology, literature, philosophy, and art history. French description: Depuis la fin du XVIIe siecle – comme l’illustre le Cabinet de Charles Perrault (1690) – la musique compte parmi les beaux-arts. Une fois mise en systeme avec la poesie, la peinture, l’architecture ou meme la danse, son identite est alors questionnee, son analogie avec les autres arts etudiee, sa specificite recherchee et sa valeur discutee. L’enjeu de ces discussions depasse le seul interet musicologique. Precisement, le presuppose de cet ouvrage, soumis a discussion, est que l’art musical, admis comme objet et partie des beaux-arts, institue lui-meme un systeme de representation de la nature. Pose tout d’abord comme referent, il soumet les autres arts a l’epreuve de sa propre specificite; pense encore comme modele d’une conception particuliere du beau, il fournit alors l’instrument d’une appreciation des autres disciplines. C’est donc principalement selon un esprit de systeme que se construit l’identite poetique de la musique au siecle des Lumieres, justifiant d’inflechir ici les frontieres cloisonnant aujourd’hui la recherche musicologique, litteraire, philosophique et celle de l’histoire de l’art.

  • Edited by Marie-Pauline Martin
  • Edited by Chiara Savettieri
  • Contributions by Andreas Beyer
  • Contributions by Jan Blanc
  • Contributions by Ulrike Boskamp
  • Contributions by Cecile Champonnois
  • Contributions by Jean-Francois Coz
  • Contributions by Frederic Dassas
  • Contributions by Elisabeth Decultot
  • Contributions by Giuseppe di Liberti
  • Contributions by Beatrice Didier
  • Contributions by Alexandre Dratwicki
  • Contributions by Enrico Fubini
  • Contributions by Ghyslaine Guertin
  • Contributions by Marian Hobson
  • Contributions by Lorenzo Lattanzi
  • Contributions by Elisabeth Lavezzi
  • Contributions by Victoria Llort Llopart
  • Contributions by Marie-Pauline Martin
  • Contributions by Maddalena Mazzocut-Mis
  • Contributions by Michel Noiray
  • Contributions by Laetitia Pierre
  • Contributions by Theodora Psychoyou
  • Contributions by Emmanuel Reibel
  • Contributions by Philipp Robinson
  • Contributions by Chiara Savettieri
  • Contributions by Maria Semi