Entretiens d’artistes

Poetiques et pratiques

Edited by Laurence Brogniez Edited by Valerie Dufour Contributions by Marie-Helene Benoit-Otis Contributions by Delphine Biere Contributions by Sylveline Bourion Contributions by Laurence Brogniez Contributions by Remy Campos Contributions by Alienor Debrocq Contributions by Michel Duchesneau Contributions by Valerie Dufour Contributions by Evelyne Gayou Contributions by Fabien S. Gerard Contributions by Richard Hobbs Contributions by Christian Janssens Contributions by Denis Laoureux Contributions by Anael Lejeune Contributions by Francoise Levaillant Contributions by Denis Perrin Contributions by Anne-Lise Quesnel Contributions by Hyacinthe Ravet Contributions by Gilles Saint-Arroman Contributions by Sophie Stevance

Extent: 280, 280 pages

Publisher: Librairie Philosophique J. Vrin

Subjects: Art & Art History, Philosophy

Series: MusicologieS

Language: French

Paperback (Published)

(September 2016)

ISBN: 9782711625765

6.65 x 9.45 inches

Price: $32.00

In stock

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Synopsis
Contributing Authors

Le present volume rassemble une serie de contributions autour de l’entretien d’artiste. Il s’agit d’interroger le genre a plusieurs niveaux pour mieux comprendre non seulement l’evolution de la nature des liens entre la presse et les arts, mais aussi tous les modes d’entretiens : reels ou fictifs, fideles ou reecrits, sous forme de livres, d’enquetes, etc. Genre de caractere hybride, oral destine a etre transcrit, l’entretien n’en est pas moins une source essentielle pour saisir le discours de l’artiste. Il est d’autant plus important qu’il se developpe tout au long des XIXe et XXe siecles, accompagnant une modernite en art qui ne peut plus faire l’economie de la communication. L’artiste s’exprime et s’explique tant pour son public contemporain que futur. En plus de sa valeur didactique et de sa fonction de mediation, l’entretien pose egalement la question de l’elargissement du statut de l’artiste. En effet, qu’il soit ecrit ou transcrit, reel ou fictif, l’entretien publie se presente bien souvent, malgre son apparente spontaneite, comme une conversation recomposee. Celle-ci suppose des principes operatoires orientant une pratique dialoguee qui, au XXe siecle, se fixe en genre du discours sur l’art et contribue a transformer l’artiste en auteur. Tantot redoute ou meprise, tantot voie privilegiee de mediation avec le public, le genre de l’entretien pose donc de nombreuses questions historiques, methodologiques, philologiques et critiques qui sont ici abordees par des specialistes de l’histoire de l’art, de la musique, de la danse et du cinema

Edited by Laurence Brogniez
Edited by Valerie Dufour
Contributions by Marie-Helene Benoit-Otis
Contributions by Delphine Biere
Contributions by Sylveline Bourion
Contributions by Laurence Brogniez
Contributions by Remy Campos
Contributions by Alienor Debrocq
Contributions by Michel Duchesneau
Contributions by Valerie Dufour
Contributions by Evelyne Gayou
Contributions by Fabien S. Gerard
Contributions by Richard Hobbs
Contributions by Christian Janssens
Contributions by Denis Laoureux
Contributions by Anael Lejeune
Contributions by Francoise Levaillant
Contributions by Denis Perrin
Contributions by Anne-Lise Quesnel
Contributions by Hyacinthe Ravet
Contributions by Gilles Saint-Arroman
Contributions by Sophie Stevance

Other Titles in this Series

La musique face au systeme des arts

Ou les vicissitudes de l'imitation au siecle des Lumieres

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Esthetique du son artificiel

Genese des musiques electroniques

By (author) Marc Battier

Ecrits sur la musique

By (author) Jean Cocteau Edited by David Gullentops Edited by Malou Haine

Ecoles de Paris en musique 1920-1950

Identites, nationalisme, cosmopolitisme

By (author) Federico Lazzaro

Composer au XXIe siecle

Pratiques, philosophies langages et analyses

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Concerts en provinces sous Louis XV a la lumiere des programmes imprimes

By (author) Florence Doe de Maindreville

Johann Sebastien Bach interprete des Evangiles de la Passion

Approche stylistique des Passions selon saint Jean et selon saint Matthieu

By (author) Philippe Charru By (author) Christoph Theobald

De la Liberation au Domaine musical

Dix ans de musique en France (1944-1954)

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Charles Koechlin

Compositeur et humaniste

Edited by Philippe Cathe Edited by Sylvie Douche Edited by Michel Duchesneau

La steppe musicienne

Analyses et modelisation du patrimoine musical turcique

By (author) Frederic Leotar Preface by Jean-Jacques Nattiez

Musiques Gnawa a Bruxelles

Pratiques et formes rituelles en diaspora

By (author) Helene Sechehaye

Ecrits de compositeurs

Une autorite en questions

Edited by Marie-Helene Benoit-Otis Edited by Michel Duchesneau Edited by Valerie Dufour

Memoires d’Hector Berlioz de 1803 a 1865 et ses voyages en Italie, en Allemagne, en Russie et en Angleterre ecrits par lui-meme

By (author) Hector Berlioz Edited by Peter Bloom

Lettres de Franz Liszt

a la princesse Marie de Hohenlohe-Schillingsfurst nee de Sayn-Wittgenstein

Edited by Pauline Pocknell Edited by Malou Haine Edited by Nicolas Dufetel

Darius Milhaud

Compositeur et experimentateur

Edited by Jacinthe Harbec Edited by Marie-Noelle Lavoie Contributions by Liouba Bouscant Contributions by Manoel…

Portraits musicaux

1909-1949

By (author) Charles Koechlin Edited by Liouba Bouscant

Du politique en analyse musicale

Edited by Esteban Buch Text by Joseph Kerman Contributions by Kofi Agawu Contributions by Hermann…

Fidelite et infidelite dans les mises en scene d’opera

By (author) Jean-Jacques Nattiez

Le style de Claude Debussy Duplication, repetition et dualite dans les strategies de composition

By (author) Sylveline Bourion

Camille Saint-Saens et le politique de 1870 a 1921

Le drapeau et la lyre

By (author) Stephane Leteure

Musique, disque et radio en pays francophones

1880-1950

Edited by Michel Duchesneau Edited by Federico Lazzaro

Bruxelles, convergence des arts 1880-1914

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Musique, cinema, processus createur

Norman Mclaren et Maurice Blackburn David Cronenberg et Howard Shore

By (author) Solenn Hellegouarch

La symphonie dans la cite

Lille au XIXe siecle

By (author) Guy Gosselin

Perception et cognition de la musique

By (author) Stephen McAdams

L’Opera jeune public

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L’essor du romantisme: la fantaisie pour clavier

De Carl Philipp Emanuel Bach a Franz Liszt

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Regards sur le Dictionnaire de musique de Rousseau

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Le conservatoire national de musique et de declamation 1900-1930

Documents historiques et administratifs

By (author) Anne Bongrain

L’enquete en ethnomusicologie

Preparation, terrain, analyse

By (author) Simha Arom By (author) Denis-Constant Martin

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