Wissenstransfer in Bildprogrammen des Trecento
Allegorie, Imitation und Medialität
By (author) Iris Helffenstein
Paperback (Published)
(December 2020)
ISBN: 9783770564576
6.1 x 9.25 inches
Price: $92.00
On back order
The book analyses the production and reception of allegorical wall paintings of the Trecento in the context of patronage, image politics and media aesthetics. Examining programs such as Guariento’s frescos in the Church of the Eremitani at Padua or the so-called Allegory of Knowledge, the study explores processes of knowledge transfer based on the materiality, mediality and aesthetics of artworks.
- By (author) Iris Helffenstein
Other Titles in this Series
Monumente der Aufklarung
Die Grab- und Denkmaler von Jean-Baptiste Pigalle (1714 -1785) zwischen Konvention und Erneuerung
Kunstler und ihre Bruder
Maler, Bildhauer und Architekten in den venezianischen Scuole grandi
Volume 22
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Behind the Scenes of Medieval Roofs
An Overview of the Roofing Systems of Italian Churches
Volume 90
Beyond Sovereign Courts
Agents and Practices in Early Modern Spanish and Habsburg Diplomacy
Volume 3
Circulation, Use, Impact
The Consumption of Architectural Books in the Early Modern Eastern Adriatic
Volume 1
Councils, Conflicts, Correspondence
Urban Diplomacy in Reval (Tallinn) and Lübeck (c. 1470–1570)
Volume 67
Innovationes Lovanienses: Arts, Law and Theology at the University of Louvain (1425–1797)
Studium Lovaniense: Learning across Borders, 2
Volume 18
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Music and Colonialism in Fascist Italy
Identity, Propaganda, and Ethnographic Representation
Volume 13
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Power and Women in Southeast and Central Europe in Late Medieval and Early Modern Period (1300-1600)
Volume 10
Staging the Spectacle of Majesty
Ceremonial, Courtly Space, and Collecting under the Spanish Habsburgs
Volume 9
Students, Scholars and Their Books at the University of Louvain (1425-1797)
Studium Lovaniense: Learning across Borders, 1
Volume 17
