Understanding Art in Antwerp
Classicising the Popular, Popularising the Classic (1540-1580)
Edited by B. Ramakers
On January 23-24, 2008 the University of Groningen hosted an international symposium entitled ‘Understanding Art in Antwerp. Classicising the Popular, Popularising the Classic (1540-1580)’, where art historians, literary historians and musicologists explored how art was understood in Antwerp in the sixteenth century, how that art understood itself and conveyed such understanding to others, and how students of early modern Antwerp should understand that concept of art historically.
On January 23-24, 2008 the University of Groningen hosted an international symposium entitled ‘Understanding Art in Antwerp. Classicising the Popular, Popularising the Classic (1540-1580)’, where art historians, literary historians and musicologists explored how art was understood in Antwerp in the sixteenth century, how that art understood itself and conveyed such understanding to others, and how students of early modern Antwerp should understand that concept of art historically. Attention was paid to the factors which influenced the vision of the nature and function of art, including those of a non-artistic nature. Central to the idea of art was the relationship between the classical and the popular and between various synonyms, such as the foreign and the vernacular. Antwerp artists in all fields covered by this volume participated in cultural exchange, attempting to incorporate and assimilate elements from different origins into their work. Likewise, contemporary audiences (either as spectators, readers or listeners) were challenged to follow and understand what amounted to a kind of play or playfulness that was so charcateristic of sixteenth-century culture.
- Edited by B. Ramakers
Other Titles in this Series
Commonplace Culture in Western Europe in the Early Modern Period I
Reformation, Counter-Reformation and Revolt
Volume 39
Commonplace Culture in Western Europe in the Early Modern Period II
Consolidation of God-given Power
Volume 40
Cultural Mediators
Artists and Writers at the Crossroads of Tradition, Innovation and Reception in the Low Countries and Italy 1450-1650
Volume 31
Commonplace Culture in Western Europe in the Early Modern Period III
Legitimation of Authority
Volume 41
Believers in the Nation
European Religious Minorities in the Age of Nationalism (1815-1914)
Volume 52
The Beloved Mothertongue
Ethnolinguistic Nationalism in Small Nations: Inventories and Reflections
Volume 33
Lady Macbeth’s Sisters
Women's Power in Political Elites in the Transition from Monarchy to Democracy
Volume 43
Nobilities in Europe in the Twentieth Century
Reconversion Strategies, Memory Culture, and Elite Formation
Volume 50
Language and Cultural Change
Aspects of the Study and Use of Language in the Later Middle Ages and the Renaissance
Volume 24
Invisible Hands?
The Role and Status of the Painter's Journeyman in the Low Countries c.1450 - c.1650
Volume 23
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