Theatre
Tome II
by Pierre Corneille and edited by Liliane Picciola, Jean de Guardia, Florence Dobby-Poirson and Laura Rescia
The original versions of La Place Royale, Medee, L’Illusion comique, Le Cid, and Horace allow us to grasp how Corneille became a great tragedian. The general introduction studies the innovations and difficulties he developed or encountered during his career as a poet. The overview and notes focus on dramaturgy and hermeneutics.
The original versions of La Place Royale, Medee, L’Illusion comique, Le Cid, and Horace allow us to grasp how Corneille became a great tragedian. The general introduction studies the innovations and difficulties he developed or encountered during his career as a poet. The overview and notes focus on dramaturgy and hermeneutics.
- By (author) Pierre Corneille
- Edited by Jean de Guardia
- Edited by Florence Dobby-Poirson
- Edited by Liliane Picciola
- Edited by Laura Rescia
Other Titles in this Series
Drames et pièces historiques
Les Merveilleuses, Madame Sans-Gêne, Paméla, marchande de frivolités, Tome IV
Volume 36
Théâtre français
Démocrite, Le Retour imprévu, Les Folies amoureuses suivies du Mariage de la Folie, Les Ménechmes
Volume 26
Théâtre complet
Les Trahisons d’Arbiran, L’Absent chez soi et Les Soupçons sur les apparences
Volume 14
Le Legataire universel, La Critique du Legataire, Sapor, Les Souhaits, Les Vendanges ou le Bailli d’Asnieres
Drames et pièces historiques
Les Merveilleuses, Madame Sans-Gêne, Paméla, marchande de frivolités, Tome IV
Volume 36
Theatre complet
Les six premieres Comedies facecieuses (Le Morfondu, Les Jaloux, Les Escolliers)
Volume 44
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