Theatre
Tome II
by Pierre Corneille and edited by Liliane Picciola, Jean de Guardia, Florence Dobby-Poirson and Laura Rescia
The original versions of La Place Royale, Medee, L’Illusion comique, Le Cid, and Horace allow us to grasp how Corneille became a great tragedian. The general introduction studies the innovations and difficulties he developed or encountered during his career as a poet. The overview and notes focus on dramaturgy and hermeneutics.
The original versions of La Place Royale, Medee, L’Illusion comique, Le Cid, and Horace allow us to grasp how Corneille became a great tragedian. The general introduction studies the innovations and difficulties he developed or encountered during his career as a poet. The overview and notes focus on dramaturgy and hermeneutics.
- By (author) Pierre Corneille
- Edited by Jean de Guardia
- Edited by Florence Dobby-Poirson
- Edited by Liliane Picciola
- Edited by Laura Rescia
Other Titles in this Series
Recueil general de moralites d’expression francaise. Tome XIII
La Maladie de Chretiente, La Verite cachee et six pieces polemiques du Recueil de Rouen
Volume 94
Théâtre complet
Tome I - Les six premieres Comedies facecieuses (Le Laquais, La Vefve, Les Esprits)
Volume 3
Théâtre complet
Les Trahisons d’Arbiran, L’Absent chez soi et Les Soupçons sur les apparences
Volume 14
Recueil general de moralites d’expression francaise. Tome III
La Moralite de Bien avise Mal avise
Volume 21
Similar Books
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Beyond Sovereign Courts
Agents and Practices in Early Modern Spanish and Habsburg Diplomacy
Volume 3
Circulation, Use, Impact
The Consumption of Architectural Books in the Early Modern Eastern Adriatic
Volume 1
Councils, Conflicts, Correspondence
Urban Diplomacy in Reval (Tallinn) and Lübeck (c. 1470–1570)
Volume 67
Homo-Politicus in the Balkans
Early Modern Southeast European History in Imperial and Regional Context
Innovationes Lovanienses: Arts, Law and Theology at the University of Louvain (1425–1797)
Studium Lovaniense: Learning across Borders, 2
Volume 18
John Dunstaple Reading Boethius
John Dunstaple’s Annotations to Boethius’s “De institutione musica” in the Manuscript Oxford, Corpus Christi College Library, MS 118
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Music and Colonialism in Fascist Italy
Identity, Propaganda, and Ethnographic Representation
Volume 13
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
