The Saint Play in Medieval Europe
Edited by Clifford Davidson
Paperback (Out of print)
(December 1986)
ISBN: 9780918720788
Price: $89.00
On back order
Hardback (Published)
(July 1986)
ISBN: 9780918720771
6.14 x 9.21 inches
Price: $34.95
In stock
This illustrated volume intelligently provides a much-needed introduction to what may have been the most popular variety of drama in the Middle Ages: the saint play. A comprehensive and collaborative survey is provided with an emphasis on interdisciplinary study rather than only literary analysis. While the saint play in England is the connecting theme of the volume, the papers explore other topics necessary to fully understand the culture of the saint play, such as the genre as manifest on the continent, including plays in French, Italian, and German.
Contents List of illustrations Preface Introduction by Clifford Davidson Persona in Cantilena: St. Nicholas in Music in Medieval Drama by Clyde W. Brockett The Middle English Saint Play and Its Iconography by Clifford Davidson The Saint Play in Medieval France by Lynette R. Muir The Italian Saint Play: The Example of Perugia by Kathleen C. Falvey The Protestant Adaptation of the Saint Play by Peter Happe The Secular Saint Plays of the Elizabethan Era by John Wasson Index, Contents
List of illustrations
Preface
Introduction by Clifford Davidson
Persona in Cantilena: St. Nicholas in Music in Medieval Drama by Clyde W. Brockett
The Middle English Saint Play and Its Iconography by Clifford Davidson
The Saint Play in Medieval France by Lynette R. Muir
The Italian Saint Play: The Example of Perugia by Kathleen C. Falvey
The Protestant Adaptation of the Saint Play by Peter Happé
The Secular Saint Plays of the Elizabethan Era by John Wasson
Index
- Edited by Clifford Davidson
Other Titles in this Series
The Monophonic Lauda and the Lay Religious Confraternities of Tuscany and Umbria in the Late Middle Ages
Shakespeare’s Play within Play
Medieval Imagery and Scenic Form in "Hamlet," "Othello," and "King Lear"
Drama and Art
An Introduction to the Use of Evidence from the Visual Arts for the Study of Early Drama
Word, Picture, and Spectacle
Papers by Karl P. Wentersdorf, Roger Ellis, Clifford Davidson, and R. W. Hanning
Crossing the Boundaries
Christian Piety and the Arts in Italian Medieval and Renaissance Confraternities
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