The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530
Edited by Thomas Schmidt Edited by Christian Thomas Leitmeir
Renaissance sources of polyphonic music not only convey a rich repertoire of some of the most impressive music ever written. From the point of view of their layout or mise-en-page, they are also amongst the most complex books of their time. They typically combine verbal text, musical notation and other graphic devices, and the differ
Renaissance sources of polyphonic music not only convey a rich repertoire of some of the most impressive music ever written. From the point of view of their layout or mise-en-page, they are also amongst the most complex books of their time. They typically combine verbal text, musical notation and other graphic devices, and the different voice parts are arranged to be read separately by the performers, yet to be performed simultaneously. As an integral part of the production and use of these books, the mise-en-page thus provides crucial information for the understanding of the repertoire that is transmitted through them. The present volume combines a number of studies resulting from a research project funded by the UK Arts and Humanities Research Council (AHRC) into this question, combining the examination of a number of overarching themes (e.g. luxury codices, printed polyphony, music theory books, illumination) with case studies of individual sources.
- Edited by Thomas Schmidt
- Edited by Christian Thomas Leitmeir
Other Titles in this Series
Pietro Metastasio’s Operatic Storm
Texts and Musics for Didone abbandonata, Alessandro nell'Indie, Artaserse, Adriano in Siria, and Demofoonte
La musique en images
Instruments, voix et corps sonores dans les manuscrits enlumines (XIIIe-XVe siecles)
Josquin and the Sublime
Proceedings of the International Josquin Symposium at Roosevelt Academy, Middelburg, 12-15 July 2009
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