The Future of the Middle Ages and the Renaissance
Problems, Trends, and Opportunities for Research
Edited by Roger Dahood
This volume contains a selection of essays, reflecting a broad range of interests in medieval and Renaissance studies, yet focusing on problems, trends, and opportunities for research.
This volume, containing a selection of essays from ACMRS’s 1996 conference, reflects a broad range of interests in medieval and Renaissance studies. Although most of the eleven essays address western European topics, one essay deals with Byzantine political and theological histroy, and one touches on Arabic poetry in medieval Sicily. The chronological range is also broad, extending from the seventh to the twentieth century and including topics from an early Byzantine polemicist to the recent growing interest in medievalism, and from critical readings of early texts to implications of computer technology for future manuscript study. In some significant ways the volume continues earlier discussions of the state of the profession, such as those in William D. Paden (ed.), The Future of the Middle Ages, and John Van Engen (ed.), The Past and Future of Medieval Studies. More generally, this second volume in the ASMAR series extends the theme of the first, Reinventing the Past, and makes fresh contributions to the scholarship on a number of problems. If the current volume provides a reliable gauge for the future of medieval and Renaissance studies, we are on the verge of new beginnings, increasingly outward-looking, reexamining and redefining old boundaries to reach a new and sharpened understanding of the past.
- Edited by Roger Dahood
Other Titles in this Series
At the Table
Metaphorical and Material Cultures of Food in Medieval and Early Modern Europe
Volume 18
Reinventing the Middle Ages and the Renaissance
Constructions of the Medieval and Early Modern Periods
Volume 1
Crossing Boundaries
Issues of Cultural and Individual Identities in the Middle Ages and the Renaissance
Volume 3
Translatio or the Transmission of Culture in the Middle Ages and the Renaissance
Modes and Messages
Volume 13
Reading the Natural World in the Middle Ages and the Renaissance
Perceptions of the Environment and Ecology
Volume 46
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Behind the Scenes of Medieval Roofs
An Overview of the Roofing Systems of Italian Churches
Volume 90
Beyond Sovereign Courts
Agents and Practices in Early Modern Spanish and Habsburg Diplomacy
Volume 3
Circulation, Use, Impact
The Consumption of Architectural Books in the Early Modern Eastern Adriatic
Volume 1
Councils, Conflicts, Correspondence
Urban Diplomacy in Reval (Tallinn) and Lübeck (c. 1470–1570)
Volume 67
Innovation and Medieval Communities
The Circulation of Ideas and Practices in and out of the Town (1200-1500)
Volume 63
Innovationes Lovanienses: Arts, Law and Theology at the University of Louvain (1425–1797)
Studium Lovaniense: Learning across Borders, 2
Volume 18
John Dunstaple Reading Boethius
John Dunstaple’s Annotations to Boethius’s “De institutione musica” in the Manuscript Oxford, Corpus Christi College Library, MS 118
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Linguistic and Cultural Dynamics in a Frontier Society
New Perspectives on Northeastern Bavaria and Western Bohemia in the Early Middle Ages
Volume 9
Medieval Debates on Foreknowledge: Future Contingents, Prophecy, and Divination
Acts of the XXVII Annual Colloquium of the SIEPM, Trento 12-15 September 2023
Volume 31
Medieval Yeghegis, Armenia
History, Archaeology, Society. Local Multiplicities and Global Connections of a Rural Centre on the Silk Road(s)
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
