The British Art Cinema, 1938-2008
Reconsideration and Review
by Robert Cardullo
Paperback (Out of print)
(July 2014)
ISBN: 9783832537593
5.75 x 8.31 inches
Price: $60.00
On back order
This is a collection of essays and interviews on the British art cinema as it emerged particularly in the post-World War II period and prospered until the turn of the twenty-first century–when Internet piracy began to put more and more pressure on producers and directors to make strictly commercial, international, blockbuster-style films that could turn a huge profit within the first few weeks of their release. The British Art Cinema, 1938-2008 includes eighteen review/essays and six interviews, an extensive bibliography, film credits as well as directors’ filmographies, and numerous illustrative film stills. Directors treated in this book include John Schlesinger, Jack Clayton, Derek Jarman, Ken Loach, Mike Leigh, Stephen Frears, David Hare, Peter Greenaway, Terence Davies, Kenneth Branagh, and Danny Boyle. Among the films discussed are Room at the Top, Pygmalion, How I Won the War, Secrets and Lies, The Remains of the Day, Henry V, Trainspotting, The Comfort of Strangers, Sid and Nancy, Prick Up Your Ears, and The Cook, the Thief, His Wife & Her Lover.
- By (author) Robert Cardullo
Similar Books
John Dunstaple Reading Boethius
John Dunstaple’s Annotations to Boethius’s “De institutione musica” in the Manuscript Oxford, Corpus Christi College Library, MS 118
Music and Colonialism in Fascist Italy
Identity, Propaganda, and Ethnographic Representation
Volume 13
„Parteibuch“, Universalpoesie und weltliterarisches Gesamtkunstwerk
Max Kalbecks monumentale Biografie Johannes Brahms
