Temporality and Mediality in Late Medieval and Early Modern Culture
Edited by Christian Kiening Edited by Martina Stercken
This interdisciplinary volume explores the ways in which time is staged at the threshold between the Middle Ages and the early modern period. Proceeding from the reality that all cultural forms are inherently and inescapably temporal, it seeks to discover the significance of time in mediations and communications of all kinds. By show
This interdisciplinary volume explores the ways in which time is staged at the threshold between the Middle Ages and the early modern period. Proceeding from the reality that all cultural forms are inherently and inescapably temporal, it seeks to discover the significance of time in mediations and communications of all kinds. By showing how time is displayed in diverse cultural strategies and situations, the essays of this volume show how time is intrinsic to the very concept of tradition. In exploring a variety of medial forms and communicative practices, they also reveal that while the beginning of the age of printing (around 1500) may mark a fundamental change in terms of reproduction and circulation, artefacts and other historical traditions continue to employ earlier systems and practices relating time and space. The volume features articles by leading researchers in their respective fields, including studies on mosaics as a medium reflecting space and time; the triptych’s potential as a time machine; winged altarpieces mediating eternity; texts and images of the passion of Christ permeating past, present, and future; dimensions of time embedded in maps; a compendium of world knowledge organized by forms of time and temporality; the figuration of prophecy in times of crisis; the portrayal of time in architecture. The volume thus provides a new approach to media and mediality from the perspective of cultural history.
- Edited by Christian Kiening
- Edited by Martina Stercken
Other Titles in this Series
A Renaissance Baron and his Possessions
Paolo Giordano I Orsini, Duke of Bracciano (1541-1585)
Volume 15
From Tyrant to Philosopher-King
A Literary History of Alexander the Great in Medieval and Early Modern England
Volume 19
Victorine Restoration
Essays on Hugh of St Victor, Richard of St Victor, and Thomas Gallus
Volume 39
Writing History in Medieval Poland
Bishop Vincentius of Cracow and the 'Chronica Polonorum'
Volume 28
Order into Action
How Large-Scale Concepts of World-Order determine Practices in the Premodern World
Volume 40
Dreams, Medicine, and Literary Practice
Exploring the Western Literary Tradition Through Chaucer
Volume 18
Luigi Pulci in Renaissance Florence and Beyond
New Perspectives on his Poetry and Influence
Volume 29
Andreas Vesalius and the ‘Fabrica’ in the Age of Printing
Art, Anatomy, and Printing in the Italian Renaissance
Volume 33
Saints and their Lives on the Periphery
Veneration of Saints in Scandinavia and Eastern Europe (c.1000-1200)
Volume 9
Material Restoration
A Fragment from Eleventh-Century Echternach in a Nineteenth-Century Parisian Codex
Volume 7
Eclipse of Empire?
Perceptions of the Western Empire and its Rulers in Late-Medieval France
Volume 1
Jerusalem in the Alps
The Sacro Monte of Varallo and the Sanctuaries of North-Western Italy
Volume 37
Guests, Strangers, Aliens, Enemies
Ambiguities of Hospitality in the Middle Ages, c. 1000-1350
Volume 45
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Beyond Sovereign Courts
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Circulation, Use, Impact
The Consumption of Architectural Books in the Early Modern Eastern Adriatic
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Engaged Languages and Literatures / Langues et Littératures engagées
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Innovation and Medieval Communities
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Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Medieval Debates on Foreknowledge: Future Contingents, Prophecy, and Divination
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Volume 31
Medieval Yeghegis, Armenia
History, Archaeology, Society. Local Multiplicities and Global Connections of a Rural Centre on the Silk Road(s)
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Power and Women in Southeast and Central Europe in Late Medieval and Early Modern Period (1300-1600)
Volume 10
Students, Scholars and Their Books at the University of Louvain (1425-1797)
Studium Lovaniense: Learning across Borders, 1
Volume 17
