Sigmund Haffner und der Hochaltar zu Rabenden
Bildschnitzerei zwischen Spatgotik und Renaissance
by Daniel Rimsl, edited by Christoph Wagner
Hardback (Published)
(November 2015)
ISBN: 9783795428907
6.65 x 9.45 inches
Price: $50.00
Out of stock
The Master of Rabenden is one of the great unknowns among late gothic wood-workers. A good argument can be made that this master is identified with the wood sculptor Sigmund Haffner, who maintained a respected workshop in Munich around 1500. The most important work from his workshop is the Rabender Altarpiece. The high artistic quality of Sigmund Haffner it attested to not only the sculptures with their subtly composed clothing and the meticulous physiognomic representation, but also paintings, which are presented in a scholarly fashion for first time in this publication. German text.
Daniel Rimsl entfaltet neue Perspektiven auf das um 1510 entstandene Hochaltarretabel von Rabenden im Chiemgau, das zu den qualitatvollsten Schnitzwerken im Ubergang von Spatgotik und Renaissance in Bayern gehort.
- By (author) Daniel Rimsl
- Edited by Christoph Wagner
Other Titles in this Series
Daniel Neuberger the younger and Anna Felicitas Neuberger
The ceroplastic oeuvres 1621-1680 and 1650-1731
Stuttgarter Kunstgeschichten
Von den schwabischen Impressionisten bis zur Stuttgarter Avantgarde
Volume 21
Michael Ostendorfer und die Reformation in Regensburg
Regensburger Studien zur Kunstgeschichte
Volume 27
Similar Books
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
Art and Mysticism in Silesia in the Baroque period
Angelus Silesius, Bernhard Rosa, and Michael Willmann
Volume 9
Beiträge zur Islamischen Kunst und Archäologie
The Arts and Archaeology of Funerary Cultures in Islam
Volume 10.0
Burgeoning European Print Trade
The Distribution of Prints via the Plantin-Moretus Press of Antwerp
Volume 19
Cornucopia for a Polymath: Studies in Archaeology, Architecture and Art History for John Burnett Mitchell
Gender in Gandharan Art
Representations and Interactions in the Buddhist Context (1st-4th centuries CE)
Jheronimus Bosch, Conservation and Restoration
From Former Glory to Changing Appearances (Volume 1: Text, Volume 2: Images)
