Representations of Saint Anne and the Virgin Mary from the Middle Ages to the Early Modern Period

Exploring Iconographic Flexibility and Permeability

Edited by Andrea-Bianka Znorovszky

Book cover: Representations of Saint Anne and the Virgin Mary from the Middle Ages to the Early Modern Period

Extent: 189 pages

Publisher: Brepols Publishers

Subjects: Art & Art History, Early Modern & Renaissance Studies, Medieval Studies

Series: Women of the Past

Series volume number: 3

Language: English

Paperback (Published)

(January 2025)

ISBN: 9782503608853

Price: $144.00

In stock

The volume’s contribution to the field rests in the iconographic flexibility and permeability between the visual representations of the Virgin Mary and Saint Anne.


Between the thirteenth and the sixteenth centuries, the cult of the Virgin Mary underwent significant changes, a shift clearly revealed by an increase in artistic representations of Mary, as well as a flourishing devotional literature in her honour, written in both Latin and the vernacular. One aspect of this change was a broader attention to Mary’s genealogical line, and in particular to her relationship with St Anne. The result was not only a renewed focus on the vita Annae, but also a significant overlap in how these two women were represented, juxtaposed, and perceived. This volume traces the often significant iconographic flexibility in terms both of how the Virgin Mary and Saint Anne were presented and perceived, as well as what can be termed a permeability between visual representations of the two saints. Focusing on the multiple readings, layers of meaning, and the visual interplay between the vita Mariae and the vita Annae, the chapters gathered here explore the overlap and influence between different iconographic motifs, and how these were used to advance political, religious, and social ideologies at the time of their creation, as well as exploring representations across a range of different media, from sculptures and frescoes to panel paintings, and manuscript illuminations.

  • Edited by Andrea-Bianka Znorovszky