Print Publishing in Sixteenth-Century Rome
Growth and Expansion, Rivalry and Murder
By (author) Christopher LCE Witcombe
This volume brings formal coherence to the overwhelming mass of prints published in sixteenth-century Rome. It is introductory in scope and does not attempt to include every print published by every publisher. The aim is to provide an overview of who was publishing what prints and when over the course of the sixteenth century. The five chapters provide an outline of the history of print publishing while the appendices serve to clarify chronologies and reveal groupings and patterns. A document central to this book deserves some comment. The record of the hearing into the murder of Gerolamo da Modena provided an opportunity to meet a number of the publishers, printers, and engravers at work in Rome in the decades after the mid-century and to understand better their lives, activities, and relationships.
This volume brings formal coherence to the overwhelming mass of prints published in sixteenth-century Rome. It is introductory in scope and does not attempt to include every print published by every publisher. The aim is to provide an overview of who was publishing what prints and when over the course of the sixteenth century. The five chapters provide an outline of the history of print publishing while the appendices serve to clarify chronologies and reveal groupings and patterns. A document central to this book deserves some comment. The record of the hearing into the murder of Gerolamo da Modena provided an opportunity to meet a number of the publishers, printers, and engravers at work in Rome in the decades after the mid-century and to understand better their lives, activities, and relationships.
- By (author) Christopher LCE Witcombe
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Bruges, Ghent and the Circle of the Counts
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A Renaissance Wedding
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Andrea da Giona and I Maestri Caronesi: An Addition to the Pantheon of Venetian Sculptors
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A Catalogue of Netherlandish and German Paintings before 1600 in English Churches and Colleges
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The Architectural Drawings of Antonio da Sangallo the Younger and His Circle
Vol. III: Antiquity and Theory
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