Open up the Doors

Music in the Modern Church

by Mark Evans

Book cover: Open up the Doors

Extent: 224 pages

Publisher: Equinox Publishing

Subjects: Music & Performing Arts, Religious Studies

Series: Studies in Popular Music

Language: English

Paperback (Published)

(December 2006)

ISBN: 9781845531874

6.14 x 9.21 inches

Price: $29.95

In stock

Hardback (Published)

(January 2006)

ISBN: 9781845531867

Price: $99.95

In stock

This book surveys the music used in churches around the world today in the context of the history of western congregational song and concludes that music, like other cultural elements of contemporary Christianity, has been widely secularized.


Within the Judaeo-Christian tradition -with few exceptions- music has always been central to the performance of sacred rites. The musical setting of liturgy has its roots in the earliest customs of the church and the practice has continued to evolve up to the present day. As the contemporary church in many Western societies grapples with the divisive issues of gay clergy or female ordination, just as divisive a schism appears to be in progress in the world of church music. On the traditional side are those that keep the ancient choral traditions alive. They face the new, intense informality of the evangelical wing who embrace a plainer more approachable music but who are not themselves without controversy, owing to the struggle between the secular forces from which their new forms of church music derive and the messages they wish to propagate and who are also, it often seems, drawn to fundamentalist and reactionary politics. This book surveys the music used in churches around the world today in the context of the history of western congregational song and concludes that music, like other cultural elements of contemporary Christianity, has been widely secularized. This secularization is a global phenomenon fed by the explosive growth of the contemporary church music industry (worth more than $900 million in annual sales) which has seen the large secular music companies acquiring independent labels, in many cases, to the distress of the faithful. By analyzing the tensions and controversies that are fuelling this crisis and leading to the breakdown of traditions that have been the backbone Christian tradition for centuries, the book questions whether the theoretical and practical problems aroused by this crisis can ever be surmounted.

Table of Contents

Prelims
Acknowledgements ix – xiv
Introduction 1 – 7
1. Contextualising Contemporary Congregational Music 8 – 23
2. ‘Nothing New Under the Sun’: Learning from History 24 – 44
3. Ending the Corporate Worship Wars 45 – 65
4. Resistance or Accommodation: The ‘World’ of Quality 66 – 86
5. The Rise and Rise of Pentecostal Music: History, Hillsong and Star Texts 87 – 109
6. Theo-musicological Frameworks for Congregational Song Analysis 110 – 135
7. Corporate Worship Gets Personal 136 – 157
8. Conclusion: ‘When the Music Fades’ 158 – 169
End Matter
Appendix: Song Classification and Analysis 170 – 182
Notes 183 – 194
Bibliography 195 – 202
Index to Bible References 203 – 204
Subject Index 205 – 209

 
  • By (author) Mark Evans

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