OEuvres completes
Solitaire second, ou, Discours de la Musique
by Pontus de Tyard, edited by Philippe Vendrix
Paperback (Published)
(October 2022)
ISBN: 9782406131755
8.62 x 5.91 inches
Price: $48.00
In stock
Hardback (Published)
(October 2022)
ISBN: 9782406131762
8.62 x 5.91 inches
Price: $96.00
On back order
Pontus de Tyard continues his exploration of the arts with Solitaire second (1555). This time, it is music that is discussed in a dialogue. Pontus attempts the first French-language synthesis of the subjects that have driven theorists and philosophers of music since the last decades of the fifteenth century.
- By (author) Pontus de Tyard
- Edited by Philippe Vendrix
Other Titles in this Series
Protestations et revendications feminines
Textes oublies et inedits sur l'education feminine (XVIe-XVIIe siecles)
Volume 50
OEuvres completes. Tome IV
Entree d'Henri II a Lyon, 1548, Dedicaces et Pieces d'Escorte
Volume 249, 7
Le Reveille-matin des courtisans Ou Moyens legitimes pour parvenir a la faveur et pour s’y maintenir
Despertador de cortesanos
Volume 25
Similar Books
Ars Prophetica
Theology in the Poetry of Twentieth-Century Hebrew Poets Avraham Halfi, Shin Shalom, Amir Gilboa, and T. Carmi
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Beyond Sovereign Courts
Agents and Practices in Early Modern Spanish and Habsburg Diplomacy
Volume 3
Cahiers de littérature française
Les Métamorphoses du texte. Enjeux intertextuels et transpositions visuelles
Volume 25
Circulation, Use, Impact
The Consumption of Architectural Books in the Early Modern Eastern Adriatic
Volume 1
Councils, Conflicts, Correspondence
Urban Diplomacy in Reval (Tallinn) and Lübeck (c. 1470–1570)
Volume 67
European Drama and Performance Studies
Dramatisations politiques. Théâtre, politique et idéologie au XIXe siècle (1806-1914)
Volume 27
Innovationes Lovanienses: Arts, Law and Theology at the University of Louvain (1425–1797)
Studium Lovaniense: Learning across Borders, 2
Volume 18
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
LiCArC
Trauma et création artistique : l’engagement des artistes arabes dans des dynamiques de résiliences
Volume 14
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
