Nota Bene
Reading Classics and Writing Melodies in the Early Middle Ages
By (author) Jan M Ziolkowski
Nota Bene explores a little-known juxtaposition of verbal text and musical notation in the Middle Ages. This particular intersection deserves attention from those interested in music, the reception of classical Latin literature, the history of education, and the development of punctuation. Between the late tenth century and the late twelfth century, the musical notation known as neumes was provided in dozens of manuscripts for, among other texts, a number of Horace’s Odes as well as for sections of epics by Lucan, Statius, and Vergil. These materials constitute a paradoxical corpus of “classical poems in plainchant” that complicates our views of both how students learned Latin and what was being sung in an era most often associated with Gregorian chant. The book wrestles first with the literary-historical puzzle of why certain passages and not others were “neumed” and later with the ethnomusicological riddles of how, where, when, and by whom the passages were sung.
- By (author) Jan M Ziolkowski
Other Titles in this Series
Crafting Knowledge in the Early Medieval Book
Practices of Collecting and Concealing in the Latin West
Volume 16
Insignis Sophiae Arcator
Medieval Latin Studies in Honour of Michael Herren on his 65th Birthday
Volume 6
Latin Culture in the Eleventh Century
Proceedings of the Third International Conference on Medieval Latin Studies Cambridge, 9-12 September 1998
Volume 5
Latin Love Elegy and the Dawn of the Ovidian Age
A Study of the Versus Eporedienses and the Latin Classics
Volume 14
The Relatio metrica de duobus ducibus
A Twelfth-Century Cluniac Poem on Prayer for the Dead
Volume 10
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