Mussolini’s Medals
Latin – Materiality – Politics
By (author) H. Lamers By (author) E.Ø. Myklebust
Throughout history, medals and medallions have been pivotal in political material culture, commemorating both victories and defeats, honouring acts of bravery, and advancing ideological messages. The display of language is an eye-catching feature of these objects, yet the legends inscribed on them often do not receive the attention they deserve. When mentioned, these texts are commonly treated only as historical evidence, disconnected from the surfaces on which they appear. However, legends add symbolic significance to the objects they adorn, while the medals’ material properties, in turn, shape and frame the texts’ ideological meaning.
This essay explores the role of language in political material culture by examining the use of Latin legends on political medals from the <i>ventennio fascista</i> (1922-1943). It argues that the language of ancient Rome was central to the political iconography of these objects. The essay demonstrates how the use of Latin changed the medals’ symbolic significance and served to reinforce Fascism’s claims to Italy’s Roman, Christian, and Renaissance heritages. Moreover, this essay investigates how the material properties and political symbolism of the medals transformed Latin phrases – often predating Fascism by centuries – into Fascist slogans. The epilogue finally examines how, immediately after Mussolini’s downfall, the period’s foremost medallist, Aurelio Mistruzzi, sought to liberate Latin from its prior associations with Fascism.
Combining iconological analysis with philological close-reading techniques, <i>Mussolini’s Medals</i> offers a fresh perspective on the display of Latin in political material culture.
- By (author) H. Lamers
- By (author) E.Ø. Myklebust
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