Musica humana
La musique dans la pensée de l’humanisme italien
By (author) Florence Malhomme Series edited by Mireille Huchon Series edited by François Roudaut
Paperback (Published)
(August 2013)
ISBN: 9782812408144
6.18 x 9.45 inches
Price: $63.00
On back order
During the Renaissance, a genuinely human music replaces themusica mundanaparadigm. By resurrecting a dialogue with the soul, renewing links with linguistic and ethical practice, and assuring the revalorisation of the corporeal, it establishes itself as a song able to express all that it is to be human.
- By (author) Florence Malhomme
- Series edited by Mireille Huchon
- Series edited by François Roudaut
Review - French En s'attachant a lamousikenon seulement comme art des sons mais aussi comme art des Muses presidant a toutes les activites de l'esprit, cet ouvrage vise a replacer la musique au sein de la philosophie de l'art et de l'histoire des idees. A la Renaissance se substitue au paradigme cosmologico-theologique de lamusica mundanaune musique proprement humaine. Cettemusica humanarenoue un dialogue privilegie avec l'ame, retisse un lien vivant avec la parole et l'ethique, assure la revalorisation de la corporeite. Elle se comprend moins comme l'harmonie du microcosme, reflet de l'arithmetique divine, que comme l'expression d'un chant capable de dire tout l'humain, universel par la complexite dumundus humanusqu'il donne a entendre.
—
Other Titles in this Series
Aux frontieres de l’humain
Figures du cannibalisme dans le theatre anglais de la Renaissance
Volume 77
Fictions narratives en prose de l’age baroque
Repertoire analytique. Premiere partie (1585-1610)
Volume 71
Similar Books
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Beyond Sovereign Courts
Agents and Practices in Early Modern Spanish and Habsburg Diplomacy
Volume 3
Circulation, Use, Impact
The Consumption of Architectural Books in the Early Modern Eastern Adriatic
Volume 1
Councils, Conflicts, Correspondence
Urban Diplomacy in Reval (Tallinn) and Lübeck (c. 1470–1570)
Volume 67
Innovationes Lovanienses: Arts, Law and Theology at the University of Louvain (1425–1797)
Studium Lovaniense: Learning across Borders, 2
Volume 18
John Dunstaple Reading Boethius
John Dunstaple’s Annotations to Boethius’s “De institutione musica” in the Manuscript Oxford, Corpus Christi College Library, MS 118
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Music and Colonialism in Fascist Italy
Identity, Propaganda, and Ethnographic Representation
Volume 13
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Power and Women in Southeast and Central Europe in Late Medieval and Early Modern Period (1300-1600)
Volume 10
Staging the Spectacle of Majesty
Ceremonial, Courtly Space, and Collecting under the Spanish Habsburgs
Volume 9
Students, Scholars and Their Books at the University of Louvain (1425-1797)
Studium Lovaniense: Learning across Borders, 1
Volume 17
