Le Sublime du lieu commun
L'Invention rhetorique dans l'Antiquite et a la Renaissance
by Francis Goyet
Cicero handed down the technique of raising debate to the level of major principles: this led to the “commonplace,” a triumph of eloquence. Returning to principles is the source of the greatest emotion and the greatest argumentative coherence in a living unity that connects reason(s) and passions.
- By (author) Francis Goyet
Other Titles in this Series
Aux frontieres de l’humain
Figures du cannibalisme dans le theatre anglais de la Renaissance
Volume 77
Fictions narratives en prose de l’age baroque
Repertoire analytique. Premiere partie (1585-1610)
Volume 71
L’Acces des femmes a la culture
Un debat d'idees de saint Francois de Sales a la marquise de Lambert
Volume 26
Similar Books
Ars Prophetica
Theology in the Poetry of Twentieth-Century Hebrew Poets Avraham Halfi, Shin Shalom, Amir Gilboa, and T. Carmi
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Beyond Sovereign Courts
Agents and Practices in Early Modern Spanish and Habsburg Diplomacy
Volume 3
Cahiers de littérature française
Les Métamorphoses du texte. Enjeux intertextuels et transpositions visuelles
Volume 25
Circulation, Use, Impact
The Consumption of Architectural Books in the Early Modern Eastern Adriatic
Volume 1
Councils, Conflicts, Correspondence
Urban Diplomacy in Reval (Tallinn) and Lübeck (c. 1470–1570)
Volume 67
European Drama and Performance Studies
Dramatisations politiques. Théâtre, politique et idéologie au XIXe siècle (1806-1914)
Volume 27
Innovationes Lovanienses: Arts, Law and Theology at the University of Louvain (1425–1797)
Studium Lovaniense: Learning across Borders, 2
Volume 18
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
LiCArC
Trauma et création artistique : l’engagement des artistes arabes dans des dynamiques de résiliences
Volume 14
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
