Mary of Hungary, Renaissance Patron and Collector
Gender, Art and Culture
Edited by N. Garcia Perez
Paperback (Published)
(September 2020)
ISBN: 9782503589480
Price: $75.00
On back order
Mary of Hungary’s extensive artistic patronage and the collections she formed of an array of artworks, objects and books were by no means an isolated phenomenon within the Habsburg dynasty. On the contrary, the Regent of the Netherlands and loyal adviser to her brother, the Holy Roman Emperor Charles V, emulated the examples of the Habsburg women who preceded her, and in turn provided an exemplar for those that came after. She continued the traditions, trends and practices her ancestors and peers had established, which had been initiated by female members of the Trastamara dynasty, most notably Isabel of Castile. This collection of essays examines the cultural patronage of Mary of Hungary in the light of her multiple identities: a humanist-trained patron of the arts; a Habsburg princess closely implicated in the visual construction and projection of Charles V’s political identity across the alliances and divisions of early modern Europe; and a female regent bound by the imperial, dynastic and political ideologies cultivated by the sixteenth-century Habsburg monarchs. Beyond forming one of the most important art collections of the European Renaissance and playing a prominent role in the patronage of the artists she received under her protection, Mary used art to construct an image of herself that undeniably contributed to the consolidation and dissemination of both her political legitimacy and that of her dynasty among the courts of Europe.
Mary of Hungary’s extensive artistic patronage and the collections she formed of an array of artworks, objects and books were by no means an isolated phenomenon within the Habsburg dynasty. On the contrary, the Regent of the Netherlands and loyal adviser to her brother, the Holy Roman Emperor Charles V, emulated the examples of the Habsburg women who preceded her, and in turn provided an exemplar for those that came after. She continued the traditions, trends and practices her ancestors and peers had established, which had been initiated by female members of the Trastamara dynasty, most notably Isabel of Castile. This collection of essays examines the cultural patronage of Mary of Hungary in the light of her multiple identities: a humanist-trained patron of the arts; a Habsburg princess closely implicated in the visual construction and projection of Charles V’s political identity across the alliances and divisions of early modern Europe; and a female regent bound by the imperial, dynastic and political ideologies cultivated by the sixteenth-century Habsburg monarchs. Beyond forming one of the most important art collections of the European Renaissance and playing a prominent role in the patronage of the artists she received under her protection, Mary used art to construct an image of herself that undeniably contributed to the consolidation and dissemination of both her political legitimacy and that of her dynasty among the courts of Europe.
- Edited by N. Garcia Perez
Other Titles in this Series
Francois Ier et l’Italie / L’Italia e Francesco I
Echanges, influences, mefiances entre Moyen Age et Renaissance / Scambi, influenze, diffidenze fra Medioevo e Rinascimento
Volume 25
La frontiere mediterraneenne du XVe au XVIIe siecle
Echanges, circulations et affrontements
Volume 12
La Renaissance des origines
Commencement, genese et creation dans l'art des XVe et XVIe siecles
Volume 37
Correspondances urbaines
Les corps de ville et la circulation de l'information. XVe-XVIIe siecles
Volume 29
Lectures italiennes dans les pays wallons a la premiere modernite (1500 – 1630)
avec des appendices sur les livres en langue italienne et sur les traductions de l'italien en francais
Volume 16
Les enfants de Cain
les representations du criminel en France et en Italie, de la Renaissance au debut du XXe siecle
Volume 20
Philibert De l’Orme (1514-1570). Un architecte dans l’histoire
Arts - Sciences - Techniques
Volume 17
Voir l’au-dela. L’experience visionnaire et sa representation dans l’art italien de la Renaissance
Volume 22
Eglise et Etat. Les clerges de cour en Europe (fin XVe siecle-XVIIIe siecle)
Service religieux et service politique dans les systemes curiaux
Volume 41
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Beyond Sovereign Courts
Agents and Practices in Early Modern Spanish and Habsburg Diplomacy
Volume 3
Circulation, Use, Impact
The Consumption of Architectural Books in the Early Modern Eastern Adriatic
Volume 1
Councils, Conflicts, Correspondence
Urban Diplomacy in Reval (Tallinn) and Lübeck (c. 1470–1570)
Volume 67
ENTANGLED AFRICA
Intra-African Relations Between Rain Forest and Mediterranean from Around 4,000 BCE to 1,500 CE
Gold, Silver and Glass: Power Networks, Cultural Identities, Technology Transfers and Agency across the Old World (7th Century BC – 1st Century AD)
Proceedings of a Conference Held at the British Museum, 16–18 June 2023
Homo-Politicus in the Balkans
Early Modern Southeast European History in Imperial and Regional Context
Innovationes Lovanienses: Arts, Law and Theology at the University of Louvain (1425–1797)
Studium Lovaniense: Learning across Borders, 2
Volume 18
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Listening to the Swan Song
More-than-Human Beings and Sounds in Literature and Culture Through the Ages
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
