L’homme-machine et ses avatars
Entre science, philosophie et litterature (XVIIe -XXIe siecles)
Edited by Marc Atallah Edited by Dominique Kunz Westerhoff
Paperback (Published)
(January 2012)
ISBN: 9782711623495
5.28 x 8.43 inches
Price: $33.00
Out of stock
In the context of the Galilean revolution, Descartes founded a mechanistic anthropology that has not ceased to redefine itself in view of the scientific discoveries and controversies that followed: the human machine was succeeded by electric man and cybernetic man. These avatars signify the constant reevaluation and development of an
English summary: In the context of the Galilean revolution, Descartes founded a mechanistic anthropology that has not ceased to redefine itself in view of the scientific discoveries and controversies that followed: the human machine was succeeded by electric man and cybernetic man. These avatars signify the constant reevaluation and development of an original metaphor: fertile and insufficient, heuristic and limited at the same time. This literary approach to the topic illuminates it in all its imaginary dimension: from talking automaton to cyborg, scientific innovation is inextricably linked to, if not indiscernible from, a creative explosion in fiction writing. French description: Dans le contexte de la revolution galileenne, Descartes a fonde une anthropologie mecaniste qui n’a cesse de se redefinir au fil des decouvertes scientifiques et des controverses qu’elle a suscitees: apres l’Homme-Machine, est venu l’Homme Electrique, puis l’Homme Cybernetique. Ces avatars signalent la constante reevaluation, la mesure toujours reprise d’une metaphore originaire, a la fois feconde et insuffisante, heuristique et limitee. Au carrefour des sciences humaines, des sciences et de l’ingenierie, il s’agit d’historiciser cette construction culturelle au long cours, jusqu’a la robotique bio-inspiree et a l’hybridation contemporaine du corps et de la technologie. L’approche litteraire en eclaire, elle, toute la dimension imaginaire: de l’automate parleur au cyborg, l’innovation scientifique est indissociable, sinon indiscernable, d’une saillance de la fiction. Fable philosophique, poesie scientifique, roman libertin, conte fantastique, theatre satirique, roman social ou science-fiction: ces differents genres font ainsi valoir la competence de la litterature pour penser la culture de l’homme-machine, et pour faire emerger le mecanique, le non-mecanique, ou l’anti-mecanique, comme autant de proces d’humanisation operes par la pratique symbolique.
- Edited by Marc Atallah
- Edited by Dominique Kunz Westerhoff
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