La peinture et le laboratoire
Procedes, methodologie, applications
edited by H. Verougstraete
Les Actes du colloque XIII pour l’etude du dessin sous jacent et la technologie dans la peinture (Bruges, septembre 1999) portent en sous-titre les termes Procedes, methodologie, applications, montrant par la les intentions des organisateurs de s’interesser aux differents aspects de la technologie de la peinture. Les articles sont le fruit de recherches d’une trentaine de scientifiques de onze nationalites et appartenant aux domaines de l’histoire de l’art, de la conservation et de la restauration, des sciences naturelles, de l’informatique et des techniques photographiques. De large secteurs de l’histoire de l’art sont ainsi couverts bien que l’accent soit mis sur la peinture dans les Pays-Bas aux 15e et 16e siecles. La publication est assuree par le staff du Laboratoire d’etude des oeuvres d’art par les methodes scientifiques de l’universite catholique de Louvain.
- Edited by H Verougstraete
Other Titles in this Series
Alla maniera: Technical Art History and the Meaning of Style in 15th to 17th Century Painting
Papers presented at the Twenty-Second Symposium for the Study of Underdrawing and Technology in Painting held online, 28-30 March 2022
Volume 22
The Bruegel Success Story
Papers Presented at Symposium XXI for the Study of Underdrawing and Technology in Painting, Brussels, 12-14 September 2018
Volume 21
Imaging Utopia: New Perspectives on Northern Renaissance Art
Papers Presented at the Twentieth Symposium for the Study of Underdrawing and Technology in Painting held in Mechelen and Leuven, 11-13 January 2017
Volume 20
Van Eyck Studies
Papers Presented at the Eighteenth Symposium for the Study of Underdrawing and Technology in Painting, Brussels, 19-21 September 2012
Volume 18
Van Eyck Studies
Papers presented at the Eighteenth Symposium for the Study of Underdrawing and Technology in Painting, Brussels, 19-21 September 2012
Volume 18
Technical Studies of Paintings
Problems of Attribution (15th-17th Centuries): Papers presented at the Nineteenth Symposium for the Study of Underdrawing and Technology in Painting held in Bruges, 11-13 September 2014
Volume 19
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