La peinture et le laboratoire
Procedes, methodologie, applications
edited by H. Verougstraete
Paperback (Published)
(September 2001)
ISBN: 9789042910478
Price: $75.00
On back order
Les Actes du colloque XIII pour l’etude du dessin sous jacent et la technologie dans la peinture (Bruges, septembre 1999) portent en sous-titre les termes Procedes, methodologie, applications, montrant par la les intentions des organisateurs de s’interesser aux differents aspects de la technologie de la peinture. Les articles sont le fruit de recherches d’une trentaine de scientifiques de onze nationalites et appartenant aux domaines de l’histoire de l’art, de la conservation et de la restauration, des sciences naturelles, de l’informatique et des techniques photographiques. De large secteurs de l’histoire de l’art sont ainsi couverts bien que l’accent soit mis sur la peinture dans les Pays-Bas aux 15e et 16e siecles. La publication est assuree par le staff du Laboratoire d’etude des oeuvres d’art par les methodes scientifiques de l’universite catholique de Louvain.
- Edited by H Verougstraete
Other Titles in this Series
Alla maniera: Technical Art History and the Meaning of Style in 15th to 17th Century Painting
Papers presented at the Twenty-Second Symposium for the Study of Underdrawing and Technology in Painting held online, 28-30 March 2022
Volume 22
The Bruegel Success Story
Papers Presented at Symposium XXI for the Study of Underdrawing and Technology in Painting, Brussels, 12-14 September 2018
Volume 21
Imaging Utopia: New Perspectives on Northern Renaissance Art
Papers Presented at the Twentieth Symposium for the Study of Underdrawing and Technology in Painting held in Mechelen and Leuven, 11-13 January 2017
Volume 20
Van Eyck Studies
Papers Presented at the Eighteenth Symposium for the Study of Underdrawing and Technology in Painting, Brussels, 19-21 September 2012
Volume 18
Van Eyck Studies
Papers presented at the Eighteenth Symposium for the Study of Underdrawing and Technology in Painting, Brussels, 19-21 September 2012
Volume 18
Technical Studies of Paintings
Problems of Attribution (15th-17th Centuries): Papers presented at the Nineteenth Symposium for the Study of Underdrawing and Technology in Painting held in Bruges, 11-13 September 2014
Volume 19
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
Tricks of the Medieval Trades
The Trinity Encyclopedia, a collection of 14th century English craft recipes
Venice Reimagined
The Resurgence of View Painting in Venice after the Fall of the Serenissima between 1797 and 1866
Women’s Legacies in Natural Studies, Health, and Liberal Arts
Proceedings of the Second Annual International Women in the Arts Conference
Volume 4
Writing in the Church of the Nativity in Bethlehem
Inscription and Graffiti in a Multilingual and Multigraphic Perspective
Volume 45
