In the Beginning were Puppets
Towards a Poetics of Puppetry
edited by Sabine Coelsch-Foisner and Lisa Nais
Hardback (Published)
(June 2023)
ISBN: 9783825395230
6.06 x 9.21 inches
Price: $58.00
In stock
The study privileges the puppet as a new and revealing point of access to contemporary critical debates regarding performance, genre, affect, aesthetics, cultural production, political activism and the nonhuman studies. The contributors address a striking range of performance histories, aesthetic movements and theoretical positions, from the Arabic influence on Iberian shadow puppetry to the position of the puppet in post-Revolutionary Iran and the American anti-war movement; from the puppet’s central role in the development of European theatre to avant-garde and modernist anti-theatre; from the puppet’s place in the histories of visual art and experimental film to critiques of mass media. By paying careful attention to the specific roles and varieties of puppets in these diverse historical, political and cultural contexts, the collection provides new insights into the practices, aesthetics and ethics of puppet theatre, which serve, in turn, to interrogate anew the relationships between the human and the nonhuman, the material and the immaterial, the uncanny and the sublime.
- Edited by Sabine Coelsch-Foisner
- Edited by Lisa Nais
Other Titles in this Series
‘Those Gay Days of Wickedness and Wit’
The Restoration Period in Popular Historiographies (18th-21st Centuries)
Volume 35
Die Betextung des offentlichen Raumes
Eine Studie zur Spezifik von Meso-Kommunikation am Beispiel von Bahnhofen, Innenstadten und Flughafen
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Kulturelle Dynamiken/Cultural Dynamics / Jenseits der Grenze
De-/Re-Lokalisierung u Hybridisierung
Volume 40
Popular Theatre in Early Modern England, Germany and Italy (1570-1640)
A Study in Incultural Theatricality with an Analysis of 'Engelische Comedien und Tragedien' (1620)
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