Immagini del tempo degli dei, immagini del tempo degli uomini
Un’analisi delle iconografie dei mesi nei calendari figurati romani e bizantini e del loro contest storico-culturale
By (author) Ciro Parodo
Paperback (Published)
(December 2017)
ISBN: 9781784917340
8.07 x 11.46 inches
Price: $84.00
In stock
Iconography found in Roman and Byzantine illustrated calendars can be divided into three themes: astrological-astronomical, festive-ritual and rural-seasonal. This volume presents an in-depth study of the connections between the meaning of the iconography of the illustrated calendars and their historical and cultural context.
A characteristic shared by the Roman and Byzantine illustrated calendars is that they represent the twelve months of the year, referable to an iconographic repertoire which is divided into three themes: the astrological-astronomical, the festive-ritual and the rural-seasonal. With regard to the first type, the months are depicted through images of the signs of the zodiac, often associated with images of the guardian deities of the months; the second category includes depictions of the months that refer to some important religious festivals; finally, the third theme includes images of the months that allude to the most important work activities performed in the countryside. The figurative calendars, which in most cases are made on mosaics, are characterized by a wide distribution in terms of time, concentrated between the 3rd and 6th century, and geography, with the areas of greatest attestation consisting of Italy, Africa Proconsularis, Greece and Arabia. With regard to the architectural context, the calendars from the West are prevalently documented in the domus, while those from the East are particularly attested in ecclesiastical buildings. The aim of research presented in this volume is the in-depth study of the connections between the meaning of the iconography of the Roman and Byzantine illustrated calendars and their historical and cultural context. Italian description: La caratteristica comune dei calendari figurati romani e bizantini consiste nella rappresentazione dei dodici mesi dell’anno, riferibile a un repertorio iconografico articolato in tre temi: quelli di tipo astrologico-astronomico, festivo-rituale e rurale-stagionale. Per quanto riguarda la prima tipologia, i mesi sono raffigurati mediante le immagini dei segni zodiacali, spesso associate a quelle delle divinita tutelari mensili; la seconda categoria include quelle raffigurazioni dei mesi che si riferiscono ad alcune importanti festivita religiose; la terza tematica, infine, comprende quelle immagini dei mesi che alludono alle piu rilevanti attivita lavorative svolte in ambito campestre. I calendari figurati, realizzati nella maggioranza dei casi su mosaico, si contraddistinguono per un’ampia distribuzione in senso temporale, con una concentrazione cronologica fra il III e il VI secolo d.C., e geografico, con le aree di maggior attestazione costituite dall’Italia, l’Africa Proconsularis, la Grecia e l’Arabia. In merito invece al contesto architettonico, i calendari di provenienza occidentale sono documentati in prevalenza presso le domus, mentre per quanto concerne quelli orientali, sono attestati in particolare negli edifici ecclesiastici. L’obiettivo della ricerca presentata in questo volume si focalizza sull’approfondimento delle connessioni esistenti tra il significato dell’iconografia dei calendari figurati romani e bizantini e il loro contesto storico- culturale.
Ciro Parodo (1978) received a Degree and a Post-Graduate Degree in Archaeology at the University of Cagliari (Italy), and a PhD in Classical Archaeology at the Eberhard-Karls-Universität Tübingen (Germany). He focuses his research on two principal domains: the study of Greek and Roman Iconography as a means of understanding the social and cultural issues of the Classical World, and the reception of Classical Antiquity in the Modern and Contemporary Age/Ciro Parodo (1978) ha conseguito la Laurea e la Scuola di Specializzazione in Archeologia presso l’Università di Cagliari (Italia) e il Dottorato di Ricerca in Archeologia Classica presso l’Eberhard- Karls-Universität di Tübingen (Germania). Focalizza la sua ricerca su due ambiti principali: lo studio dell’iconografia greca e romana come strumento per analizzare le problematiche socio- culturali del mondo classico e l’indagine delle dinamiche di ricezione dell’antichità classica nell’età moderna e contemporanea.
- By (author) Ciro Parodo
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