Imaging God Anew
A Theological Aesthetics
By (author) W. Stoker
It is surprising how religious symbolism in modern art continues to speak to a broad public. Art and religion are intrinsically connected because both deal with the fundamental issues of life. Examining art in churches and museums with this in mind, Wessel Stoker looks at how modern and contemporary Western visual artists present these fundamental issues. In this work, he explores the new visual language that artists like Vincent van Gogh, Alexej von Jawlensky, Graham Sutherland, Marlene Dumas, and others use to image God or Christ anew. In contrast to what has long been the dominant view of art in the West – art for art’s sake – their art fulfills functions in social life. Their art engages in dialogue, becomes a form of protest, or provides spiritual deepening. How is that to be evaluated theologically?
It is surprising how religious symbolism in modern art continues to speak to a broad public. Art and religion are intrinsically connected because both deal with the fundamental issues of life. Examining art in churches and museums with this in mind, Wessel Stoker looks at how modern and contemporary Western visual artists present these fundamental issues. In this work, he explores the new visual language that artists like Vincent van Gogh, Alexej von Jawlensky, Graham Sutherland, Marlene Dumas, and others use to image God or Christ anew. In contrast to what has long been the dominant view of art in the West – art for art’s sake – their art fulfills functions in social life. Their art engages in dialogue, becomes a form of protest, or provides spiritual deepening. How is that to be evaluated theologically?
- By (author) W. Stoker
Other Titles in this Series
The Art of Theology
Hans Urs von Balthasar's Theological Aesthetics and the Foundations of Faith
Volume 25
Levinas and the Greek Heritage followed by One Hundred Years of Neoplatonism in France
A Brief Philosophical History
Volume 32
The Limits and Possibilities of Postmetaphysical God-Talk
A Conversation between Heidegger, Levinas and Derrida
Volume 52
John Henry Newman’s Theology of History
Historical Consciousness, Theological 'Imaginaries', and the Development of Tradition
Volume 60
The Hammer of the Cartesians
Henry More's Philosophy of Spirit and the Origins of Modern Atheism
Volume 53
On the Meaning of ‘Miracle’ in Christianity
A Philosophical Evaluation of the Current Miracle Debate and a Proposal of a Balanced Hermeneutical Approach
Volume 68
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