Images and Institutions
The Visual Culture of Scientific Societies in the Age of Baroque
Edited by Matthijs Jonker Edited by Katherine Reinhart
Hardback (Published)
(November 2025)
ISBN: 9781915487209
Price: $94.00
On back order
This edited volume provides the first comprehensive and comparative understanding of the function of images and visual strategies within scientific institutions from the late 15th until the late 18th century.
One of the most important developments in the history of science from the late 15th until the late 18th century was the foundation of institutions for collaborative research and the publication of knowledge, such as the Accademia dei Lincei in Rome (1603), the Academia Naturae Curiosorum (Leopoldina) in Schweinfurt (1652), the Accademia del Cimento in Florence (1657), the Royal Society in London (1660), the Academie Royale des Sciences in Paris (1666), and the Scientific Academy of St Petersburg (1725). Within these institutions, knowledge was not only acquired and disseminated orally and textually, but also visually. From drawings, which circulated in society meetings to the printed plates in their published books, images across all media were vital to the developing practices of early modern science. This volume provides the first comprehensive and comparative understanding of the function of images and visual strategies within these burgeoning institutions. The contributions deal with the visualization a manifold of early modern scientific disciplines (from natural history to medicine, from mathematics to acoustics, and from ethnography to geology and geometry) in institutions in Italy, France, Germany, Great Britain, Portugal, Russia, and the Netherlands, from the late 15th until the late 18th century. By combining a multidisciplinary perspective with a wide geographical point of view and a long temporal framework, the volume provides new insight into the critical role of visual practices within pre-modern scientific societies.
- Edited by Matthijs Jonker
- Edited by Katherine Reinhart
Other Titles in this Series
The Burgeoning European Print Trade
The Distribution of Prints via the Plantin-Moretus Press of Antwerp
Volume 19
The Letters of Salvator Rosa (1615-1673)
An Italian Transcription, English Translation and Critical Edition
Volume 10
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Beyond Sovereign Courts
Agents and Practices in Early Modern Spanish and Habsburg Diplomacy
Volume 3
Circulation, Use, Impact
The Consumption of Architectural Books in the Early Modern Eastern Adriatic
Volume 1
Councils, Conflicts, Correspondence
Urban Diplomacy in Reval (Tallinn) and Lübeck (c. 1470–1570)
Volume 67
Innovationes Lovanienses: Arts, Law and Theology at the University of Louvain (1425–1797)
Studium Lovaniense: Learning across Borders, 2
Volume 18
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
