Il sardo in movimento

Contributions by Francesco Ballone Contributions by Teresa Cabré Contributions by Antonietta Dettori Contributions by Franck Floricic Contributions by Antioco Floris Contributions by Gonaria Floris Contributions by Stefano Fogarizzu Contributions by Kim Groothuis Contributions by Mike Jones Contributions by Laura Linzmeier Contributions by Guido Mensching Contributions by Lucia Molinu Contributions by Pilar Prieto Contributions by Maria del Mar Vanrell Bosch Contributions by Simone Pisano Contributions by Carmine Pintore Contributions by Carlo Schirru Contributions by Gigliola Sulis Contributions by Francesc Torres-Tamarit Contributions by Gloria Turtas Contributions by Eva-Maria Remberger Contributions by Maurizio Virdis Contributions by Birgit Wagner Edited by Eva-Maria Remberger Edited by Maurizio Virdis Edited by Birgit Wagner

Book cover: Il sardo in movimento

Extent: 352 pages

Publisher: V&R unipress

Subjects: Cultural Studies, Language & Linguistics

Series: Wiener Arbeiten zur Linguistik

Language: Italian

Hardback (Published)

(October 2020)

ISBN: 9783847111320

6.34 x 9.25 inches

Price: $82.00

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Der erste, sprachwissenschaftlich ausgerichtete Teil diskutiert unter Zuhilfenahme verschiedenster Ansatze Fragen der historischen Soziolinguistik, der sardischen Phonologie, Morphologie, Syntax, Semantik und Manuskript-Edition. Der zweite Teil legt seinen Schwerpunkt auf die Mehrsprachigkeit im sardischen Roman und Theater sowie im Film. Nach zaghaften Anfangsversuchen (schon bei Grazia Deledda) hat die Mehrsprachigkeit an Sichtbarkeit gewonnen, umso mehr, als das aktuelle sardische Erzahl-Kino und die sardischen Romane nun ein internationales Publikum ansprechen.

The present volume contains linguistic, philological and cultural studies concerning Sardinian and its varieties. All studies in this volume offer precious insights in the use and function of Sardinian in a dynamic situation of multilingualism. The first part focusses on linguistics and discusses, under various approaches, issues regarding historical sociolinguistics, Sardinian phonology, morphology, syntax and semantics as well as the edition of a manuscript. The second part concentrates on plurilinguism in the Sardinian novel and theatre as well as in the Sardinian film. After its first tentative beginnings (already present in Grazia Deledda) plurilinguism, in a context of international success of Sardinian novels and cinema, becomes more and more visible.

  • Contributions by Francesco Ballone
  • Contributions by Teresa Cabré
  • Contributions by Antonietta Dettori
  • Contributions by Franck Floricic
  • Contributions by Antioco Floris
  • Contributions by Gonaria Floris
  • Contributions by Stefano Fogarizzu
  • Contributions by Kim Groothuis
  • Contributions by Mike Jones
  • Contributions by Laura Linzmeier
  • Contributions by Guido Mensching
  • Contributions by Lucia Molinu
  • Contributions by Pilar Prieto
  • Contributions by Maria del Mar Vanrell Bosch
  • Contributions by Simone Pisano
  • Contributions by Carmine Pintore
  • Contributions by Carlo Schirru
  • Contributions by Gigliola Sulis
  • Contributions by Francesc Torres-Tamarit
  • Contributions by Gloria Turtas
  • Contributions by Eva-Maria Remberger
  • Contributions by Maurizio Virdis
  • Contributions by Birgit Wagner
  • Edited by Eva-Maria Remberger
  • Edited by Maurizio Virdis
  • Edited by Birgit Wagner

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