Gonzales Coques (1614-1684)
Der kleine Van Dyck
by Marion Lisken-Pruss
Hardback (Published)
(June 2013)
ISBN: 9782503515687
Price: $159.00
Out of stock
The position of Gonzales Coques in seventeenth century Flemish painting is shown by his contemporary nickname of The little Van Dyck. Coques developed a smale scale portrait style influenced by Anthony van Dyck and successfully extended the aristocratic portrait tradition to the middle classes. He also succeeded in combining aristocratic flair with an ethical view of the world and personal icons in small paintings. In the second half of the seventeenth century there was a marked trend towards small pictures in the Netherlands. Coques’ middle class individual portraits are the same size as those of his fellow painters but his middle class family portraits are about 25% smaller than the average contemporary group pictures. Collections of cabinet paintings were conversation pieces that showed private life through the medium of painting.
- By (author) Marion Lisken-Pruss
Other Titles in this Series
Peter Snayers (1592-1667)
Between Remembrance and Glorification: A Contextual Study of the Topographical Battle Paintings for the Habsburg Elite
Volume 22
Van Dyck’s Hosts in Genoa
Lucas and Cornelis de Wael's Lives, Business Activities and Works
Volume 19
Denijs van Alsloot (vers 1568? – 1625/26)
Peintre paysagiste au service de la cour des archiducs Albert et Isabelle Volume I
Volume 15
Denijs van Alsloot (vers 1568? – 1625/26)
Peintre paysagiste au service de la cour des archiducs Albert et Isabelle
Volume 15
Corporate Splendour. Civic Group Portraits in Brabant 1585-1800
A Social, Typological, and Iconographic Approach
Volume 18
The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621-1640
Part One: Text and Part Two: Plates
Volume 24
The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609-1620)
Part One: Text and Part Two: Images
Volume 23
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