Fragments
Edited by B. Baert Edited by S. Heremans
Fragments presents one hundred and ten entries – from Acheiropoieton to Zwischenraum – that explore new insights and observations for research and criticism in art history, iconology and cultural anthropology. It offers a unique anthology of Barbara Baert’s oeuvre. Each lemma bears the stamp of the author’s personality and work, sometimes in the form of an encompassing explanation, sometimes a brief experimental musing, illustratied by iconic artefacts. This extraordinary glossary leverages the power of interdisciplinary research in art and human sciences, and invites the reader to consider the beauty of these disciplines by embracing multiple genres. Fragments is Barbara Baert’s response to her being awarded the Belgian Francqui Prize Human Sciences 2016. This celebration book within the series Studies in Iconology is a token of gratitude and a sign of encouragement towards the desire of a deeper understanding of our artistic environments.
- Edited by B. Baert
- Edited by S. Heremans
Other Titles in this Series
The Right Moment
Essays Offered to Barbara Baert, Laureate of the 2016 Francqui Prize in Human Sciences, on the Occasion of the Celebratory Symposium at the Francqui Foundation, Brussels, 18-19 October 2018
Volume 20
Rocks and Tears
Niobe's Fate and the Dynamics of Form. Lecture on the Occasion of the Aby-Warburg-Stiftungsprofessur 2023
Volume 25
Nymph. Motif, Phantom, Affect. Part II
Aby Warburg's (1866-1929) Butterflies as Art Historical Paradigms
Volume 4
In Response to Echo
Beyond Mimesis or Dissolution as Scopic Regime (with Special Attention to Camouflage)
Volume 6
Signed ‘PAN’
Erwin Panofsky's (1892-1968) "The History of Art as a Humanistic Discipline" (Princeton, 1938)
Volume 18
Late Medieval Enclosed Gardens of the Low Countries
Contributions to Gender and Artistic Expression
Volume 2
Similar Books
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
The Body
Lived, Cultured, Adorned: Essays on Dress and the Body in the Bible and Ancient Near East in Honor of Nili S. Fox
La Suisse, espace privilegie du neoliberalisme / Die Schweiz, ein idealer Nahrboden fur den Neoliberalismus
A Cornucopia for a Polymath: Studies in Archaeology, Architecture and Art History for John Burnett Mitchell
Art and Mysticism in Silesia in the Baroque Period
Angelus Silesius, Bernhard Rosa, and Michael Willmann
Beiträge zur Islamischen Kunst und Archäologie
The Arts and Archaeology of Funerary Cultures in Islam
Volume 10.0
