European Voices II
Cultural Listening and Local Discourse in Multipart Singing Traditions in Europe
Contributions by Daiva Raciunaite-Vyciniene Contributions by Zlata Marjanovic Contributions by Joseph Jordania Contributions by Tamaz Gabisonia Contributions by Piotr Dahlig Contributions by Lozanka Georgieva Peycheva Contributions by Ignazio Macchiarella Contributions by Jaume Ayats Contributions by Evelyn Fink-Mennel Contributions by Gerlinde Haid Contributions by Sebastiano Pilosu Contributions by Zanna Pärtlas Contributions by Klaus P. Ehrenberger Contributions by Silvia Martinez Contributions by Jean-Jacques Casteret Contributions by Mauro Balma Edited by Ardian Ahmedaja
Hardback (Published)
(December 2011)
ISBN: 9783205787372
7.13 x 9.76 inches
Price: $119.00
On back order
Although the fundamental meaning of basic terminology is well established for every scholarly discipline, many concepts are often questioned and redefined. In the case of ethnomusicology, this process is all too familiar, as researchers within the discipline focus on the most diverse of music cultures. The manifold worldviews of the resource persons make the matter more complex. Such a situation has particular significance in the context of multipart singing, because of its specific musical aesthetics and vocabularies. Moreover, it is accentuated by processes of change within everyday practice and in ethnomusicology. Examining this question from the viewpoint of local terminology primarily means considering specific and individual concepts of cultural listening and particularities of local discourse, which stimulate analytical attention to the most profound details of the area under discussion.
- Contributions by Daiva Raciunaite-Vyciniene
- Contributions by Zlata Marjanovic
- Contributions by Joseph Jordania
- Contributions by Tamaz Gabisonia
- Contributions by Piotr Dahlig
- Contributions by Lozanka Georgieva Peycheva
- Contributions by Ignazio Macchiarella
- Contributions by Jaume Ayats
- Contributions by Evelyn Fink-Mennel
- Contributions by Gerlinde Haid
- Contributions by Sebastiano Pilosu
- Contributions by Zanna Pärtlas
- Contributions by Klaus P. Ehrenberger
- Contributions by Silvia Martinez
- Contributions by Jean-Jacques Casteret
- Contributions by Mauro Balma
- Edited by Ardian Ahmedaja
Other Titles in this Series
European Voices I
Multipart Singing in the Balkans and the Mediterranean. With Summaries in German. Herausgegeben von: Ardian Ahmedaja und Gerlinde Haid
European Voices III
The Instrumentation and Instrumentalization of Sound. Local Multipart Music Practices in Europe. In commemoration of Gerlinde Haid
Similar Books
John Dunstaple Reading Boethius
John Dunstaple’s Annotations to Boethius’s “De institutione musica” in the Manuscript Oxford, Corpus Christi College Library, MS 118
Music and Colonialism in Fascist Italy
Identity, Propaganda, and Ethnographic Representation
Volume 13
„Parteibuch“, Universalpoesie und weltliterarisches Gesamtkunstwerk
Max Kalbecks monumentale Biografie Johannes Brahms
