Comedy – Avant-Garde – Scandal
Remembering the Holocaust after the End of History
by Andrew S. Gross and Susanne Rohr
Hardback (Published)
(January 2010)
ISBN: 9783825357269
5.28 x 8.27 inches
Price: $42.00
In stock
Why did the Holocaust become such a prominent theme in American and European art, literature, and film in the 1990s? Why does so much of this art court controversy? These and related questions motivate this study, a joint effort by two scholars of American culture, one German and the other US-American. The authors link the growing centrality of the Holocaust in art, and the increasingly provocative strategies employed by writers, artists, and filmmakers, to the end of the Cold War. History, tainted by obsolete ideological debates, no longer seemed adequate to describing the past, so art mobilized the traditional strategies of the avant-garde – scandal, satire, and provocation – as a spur to memory. The Holocaust became the focus of this revolution in art – and crisis of historical representation – because it seemed to be beyond the limits of understanding. The authors argue that art turns to the Holocaust when commemoration, rather than novelty, is avant-garde.
- By (author) Andrew S Gross
- By (author) Susanne Rohr
Other Titles in this Series
The Anticipation of Catastrophe
Environmental Risk in North American Literature and Culture
Volume 247
Jewish Organizations in Transatlantic Perspective
Patterns of Contemporary Jewish Politics in Germany and the United States
Volume 226
Recollection, Memory and Imagination
Selected Autobiographical Novels of Vladimir Nabokov
Volume 132
Mensch als Methode
Allgemeine Hermeneutik und partielle Demokratie: Friedrich Schleiermacher - Ralph Waldo Emerson - Frederick Douglass
Volume 272
Beyond the ‘Imaginary Indian’
Zur Aushandlung von Stereotypen, kultureller Identitat & Perspektiven in/mit indigener Gegenwartsliteratur
Volume 171
The Chutneyfication of History
Salman Rushdie, Michael Ondaatje, Bharati Mukherjee and the Postcolonial Debate
Volume 95
Through the Bars of My Memory
Prison Life Writing and the Prison Movement of the 1970s and 1980s
Volume 319
Provincializing the United States
Colonialism, Decolonization, and (Post)Colonial Governance in Transnational Perspective
Volume 248
Toward a New Metropolitanism
Reconstituting Public Culture, Urban Citizenship, and the Multicultural Imaginery in New York and Berlin
Volume 142
Renegotiating American Nationalism
The Proxy War over Marriage Equality through the Lens of Un-Americanism
Volume 317
Physicians of Culture
Healing Catharsis in the Fiction of Toni Morrison and the Philosophy of Friedrich Nietzsche
Volume 287
Similar Books
![Book cover: Transitive Media [Philosophy]](https://isd.stisonbooks.com/images/books/native/9781804132333.jpg?asset_id=66970)
Writing of Women as Cultural Resistance
Deconstructing Memory Legacies in the Afro-Luso-Brazilian Atlantic
Tools of Control or Seeds of Liberation?
Reformed Evangelism and Slavery in the Ante-Bellum American South
Argumentation, Persuasion und Manipulation in Medientexten und -diskursen
Beiträge zur kontrastiven Medienlinguistik
Buchblogs zwischen Passion und Profession
Zur Diskursivierung digitaler literaturbezogener Anschlusskommunikation als Arbeit
Das Bild des Flüchtlings im Deutschen und im Polnischen
Lexikographische Erfassung und Presseberichterstattung 2016–2017
Die Erinnerung der Hydra
Das Quilombo von Palmares in Geschichte und Gedächtnis (ca. 1595–1995): Sklaverei, Rassismus und Freiheit in Brasilien und entlang des Atlantiks
Digitale Medien und Religionsunterricht
Ein domänenspezifischer Beitrag zu einer kritischen Medienbildung unter Berücksichtigung medien-, bildungs- und lerntheoretischer Perspektiven
Jugend im Film
Die Konstruktion einer transformativen Lebensphase als Spiegel kultureller Entwicklungen
Transmedia Festivals
Audiosoziale Gemeinschaften zwischen künstlerischem Experiment und Ökonomisierung
Literature, Translation, and the Politics of Meaning
Polish, American, and German Literary Traditions
Perspectives on Values
The Network of Satire and Humor, the Tragic and the Absurd, the Grotesque and the Monstrous, Play and Irony, Parody and the Comic Mode
Volume 323
