Beethoven’s Tempest Sonata
Perspectives of Analysis and Performance
edited by P. Berge and J. D'hoe
For music analysts and performers alike, Beethoven’s Tempest sonata (1802) represents one of the most challenging pieces of the classical and early romantic piano repertoire. This book is a collection of eleven essays, each dealing with this sonata from a different analytical perspective and investigating the possible connections between music analysis and the practice of performance.
For music analysts and performers alike, Beethoven’s Tempest sonata (1802) represents one of the most challenging pieces of the classical and early romantic piano repertoire. This book is a collection of eleven essays, each dealing with this sonata from a different analytical perspective and investigating the possible connections between music analysis and the practice of performance. Under the editorship of Pieter Berge, Jeroen D’hoe and William E. Caplin, the book presents essays by Scott Burnham (hermeneutics), Poundie Burstein (Schenkerian approach), Kenneth Hamilton (history of performance), Robert Hatten (semiotics), James Hepokoski (Sonata Theory), William Kinderman (source studies), William Rothstein (tempo, rhythm, and meter), Douglas Seaton (narratology), Steven Vande Moortele (20th-century Formenlehre) and the editors themselves (motivic analysis and form-functional approach respectively).
- Edited by P Berge
- Edited by WE Caplin
- Edited by J D’hoe
Other Titles in this Series
Canons and Canonic Techniques, 14th-16th Centuries: Theory, Practice, and Reception History
Proceedings of the International Conference, Leuven, 4-6 October 2005
Volume 1
Sound and Sense in Franco-Flemish Music of the Renaissance
Sharps, Flats, and the Problem of 'Musica ficta'
Volume 7
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