Sources of Identity
Makers, Owners and Users of Music Sources Before 1600
Edited by Tim Shephard Edited by Lisa Colton
The papers included in this volume were presented, in much shorter form, at a conference entitled ‘Sources of Identity: Makers, Owners and Users of Music Sources Before 1600’ held at the University of Sheffield in 2013. The stated aim of the event was to leave aside the traditionally dominant view of early music sources as a means of access to medieval and Renaissance repertoires, focussing instead on the people who commissioned, made, owned and used music books, and on their reasons for so doing. In the terms proposed by a recent study of art patronage in the period, what was the ‘payoff’ enjoyed by individuals and groups who created and deployed such objects?
The papers included in this volume were presented, in much shorter form, at a conference entitled ‘Sources of Identity: Makers, Owners and Users of Music Sources Before 1600’ held at the University of Sheffield in 2013. The stated aim of the event was to leave aside the traditionally dominant view of early music sources as a means of access to medieval and Renaissance repertoires, focussing instead on the people who commissioned, made, owned and used music books, and on their reasons for so doing. In the terms proposed by a recent study of art patronage in the period, what was the ‘payoff’ enjoyed by individuals and groups who created and deployed such objects?
- Edited by Tim Shephard
- Edited by Lisa Colton
Other Titles in this Series
Christophe Ballard, imprimeur-libraire en musique sous Louis XIV
Avec un inventaire des editions des Ballard de 1672 a 1715
Ludwig Senfl (c.1490-1543)
A Catalogue Raisonne of the Works and Sources: Volume 2: Catalogue of the Sources Abbreviations, Bibliography and Indexes
Le Metier du maitre de musique d’Eglise du XVIe siecle au debut du XIXe
Activites, sociologie, carrieres
The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530
Music and the Identity Process
The National Churches of Rome and their Networks in the Early Modern Period
A Late Medieval Songbook and its Context
New Perspectives on the Chantilly Codex (Bibliotheque du Chateau de Chantilly, Ms. 564)
Pietro Metastasio’s Operatic Storm
Texts and Musics for Didone abbandonata, Alessandro nell'Indie, Artaserse, Adriano in Siria, and Demofoonte
Ludwig Senfl (c.1490-1543)
A Catalogue Raisonne of the Works and Sources: Vol. 1: Catalogue of the Works
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