John Gower’s Rhetoric
Classical Authority, Biblical Ethos, and Renaissance Receptions
By (author) Georgiana Donavin
Explores the classical and medieval rhetorical traditions that informed Gower’s craft, the biblical personae through which the poet achieved his rhetorical aims, and the Renaissance publishers, teachers, and authors who valued and imitated his strategies for composition.
This is the first book-length study in decades to offer in-depth readings of a variety of late medieval poems across Gower’s trilingual corpus. Identifying Gower’s rhetorical cornerstones in Aristotelian pathos, the theology of the Word, and the execution of a plain style, it provides fresh interpretations of poems in Latin, French, and Middle English that arise from an enhanced understanding of Gower’s literary methods. It explores the classical and medieval rhetorical traditions that informed Gower’s craft, the biblical personae through which the poet achieved his rhetorical aims, and the Renaissance publishers and authors who valued and imitated his strategies for composition. Gower adapted his rhetorical theory from the principles of Aristotelian texts, Augustinian theology, exemplars of Ciceronian style, and the dictates of various artes poetriae; from the latter, John of Garland’s Parisiana Poetria is especially important for outlining practices of Marian rhetoric. Modelling virtuous female speakers on the Virgin and prophetic narrators on John the Baptist and John the Evangelist, Gower gave extra-scriptural voice to members of the extended Holy Family and in so doing, achieved unimpeachable expressions inside classically informed structures of discourse. The epistolary structure, proceeding from Ciceronian rhetoric and the artes dictaminis, is one among Gower’s favoured rhetorical forms for projecting singular voices. His straightforward, reiterative style in Middle English and his virginal speakers compelled Renaissance publisher Thomas Berthelette and celebrated authors Ben Jonson and William Shakespeare to praise Gower’s rhetoric in prefaces and imitate it on the stage.
- By (author) Georgiana Donavin
Other Titles in this Series
Public Declamations
Essays on Medieval Rhetoric, Education, and Letters in Honour of Martin Camargo
Volume 27
Medieval Art at the Intersection of Visuality and Material Culture
Studies in the 'Semantics of Vision'
Volume 32
Law and Theology in Twelfth-Century England
The Works of Master Vacarius (c. 1115/20 - c. 1200)
Volume 10
Sapientia et eloquentia
Meaning and Function in Liturgical Poetry, Music, Drama, and Biblical Commentary in the Middle Ages
Volume 11
The Classics in the Medieval and Renaissance Classroom
The Role of Ancient Texts in the Arts Curriculum as Revealed by Surviving Manuscripts and Early Printed Books
Volume 20
Medieval Thought Experiments
Poetry, Hypothesis, and Experience in the European Middle Ages
Volume 31
Fictions of the Inner Life
Religious Literature and Formation of the Self in the Eleventh and Twelfth Centuries
Volume 4
Political Thought and Eleventh-Century Populism
The Meek, the Many, and the Meritorious during the Age of the Gregorian Reform
Volume 38
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