The Munich Court Chapel at 500
Tradition, Devotion, Representation
Edited by Stefan Gasch
The volume provides insights into the William IV of Bavaria duke’s cultural aspirations and sheds light on a ruler who defined music, religion, and art as expressions of strategic elements that interwove tradition, piety and representation in a programme of governance based on humanist education-a duke whose foresight enabled the Mun
This collection of essays is the first to focus exclusively on the Wittelsbach court of Duke Wilhelm IV of Bavaria (1493-1550). The contributors argue for a deeper understanding of this duke’s reign and acknowledge his crucial role in shaping the religious and cultural identity of the Duchy of Bavaria. By providing insights into the duke’s cultural aspirations, the organisation of the court, musical sources, religious musical practice, and everyday working life, this book aims to: (1) situate the court of Wilhelm IV in the context of the religious and political upheavals of the early sixteenth century; (2) trace the development of the musical repertoire and personnel of the Bavarian court chapel between 1500 and 1550; and (3) critically assess the degree to which the Munich court could be considered ‘modern’ by re-evaluating the broader cultural, religious, and musical life of the court around 1520. The volume thus sheds light on the cultural ambitions of a duke who defined music and art as expressions of strategic elements that interwove tradition, devotion, and representation in a programme of governance based on humanist education-a duke whose foresight enabled the Munich court to quickly become one of the most prestigious and famous seats of power in the Holy Roman Empire.
- Edited by Stefan Gasch
Other Titles in this Series
Josquin and the Sublime
Proceedings of the International Josquin Symposium at Roosevelt Academy, Middelburg, 12-15 July 2009
Music in the Carolingian World
Witnesses to a Metadiscipline, Essays in Honor of Charles M. Atkinson
Similar Books
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Beyond Sovereign Courts
Agents and Practices in Early Modern Spanish and Habsburg Diplomacy
Volume 3
Circulation, Use, Impact
The Consumption of Architectural Books in the Early Modern Eastern Adriatic
Volume 1
Constitutional Conflict as Judicial Civil Disobedience and Conscientious Objection
Reconceptualising National Constitutional Court Rulings in the European Union Legal Space
Councils, Conflicts, Correspondence
Urban Diplomacy in Reval (Tallinn) and Lübeck (c. 1470–1570)
Volume 67
Formulary apportionment in international tax law
An allocation method for the age of globalization and digitalization
Volume 210
Hofmann oder Vorkämpfer der „philosophes“?
Deutsche Voltaire-Bildnisse und -Imaginationen im Zeitalter der Aufklärung
Homo-Politicus in the Balkans
Early Modern Southeast European History in Imperial and Regional Context
Innovationes Lovanienses: Arts, Law and Theology at the University of Louvain (1425–1797)
Studium Lovaniense: Learning across Borders, 2
Volume 18
John Dunstaple Reading Boethius
John Dunstaple’s Annotations to Boethius’s “De institutione musica” in the Manuscript Oxford, Corpus Christi College Library, MS 118
Legal Unification through Case Law?
Supreme Courts and the Emergence of Uniform Law in the Modern Era
Volume 242
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Music and Colonialism in Fascist Italy
Identity, Propaganda, and Ethnographic Representation
Volume 13
