Illuminating the Law
Legal Manuscripts in Cambridge Collections
By (author) Susan L'Engle By (author) Robert Gibbs
This catalogue offers introductory essays on the making and the use of medieval legal manuscripts in Cambridge collections, in order to call attention to the illuminated legal texts as splendidly decorated medieval manuscripts.
Illuminated legal texts rank high among the most splendidly decorated medieval manuscripts. Their historical and artistic significance has largely escaped even specialists in art and legal history. The long-recognised discrepancy between the importance of the material and its relative inaccessibility, as well as the rich Cambridge collections, provided the incentive for an exhibition at the Fitzwilliam Museum. With the intention to bring this splendid material to the attention and the understanding of a wider audience, this catalogue offers introductory essays on the making and use of medieval legal manuscripts, detailed descriptions and analysis of representative examples, and rich illustrative material, aesthetically pleasing and thought-provoking.
- By (author) Susan L’Engle
- By (author) Robert Gibbs
Other Titles in this Series
Making and Meaning of the Liber Floridus
A Study of the Original Manuscript, Ghent, University Library, MS 92
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Pleasure and Politics at the Court of France
The Artistic Patronage of Queen Marie of Brabant (1260-1321)
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Epiphany of Hieronymus Bosch
Imagining Antichrist and Others from the Middle Ages to the Reformation
Early Engravers and their Public
The Master of the Berlin Passion and Manuscripts from Convents in the Rhine-Maas Region, ca. 1450-1500
Volume 39
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