Cultural Exchange between the Low Countries and Italy (1400-1600)
Edited by Ingrid Alexander-Skipnes
Preface - Diane Wolfthal, Florentine Bankers, Flemish Friars, and the Patronage of the Portinari Altarpiece - Michael Rohlmann, The Annunciation by Joos Ammann in Genoa: Context, Function and Metapictorial Quality - Creighton Gilbert, Piero and Bouts - Francis Ames-Lewis, Sources and Documents for the Use of the Oil Medium in Fifteenth-Century Italian Painting - Maria Clelia Galassi, Aspects of Antonello da Messina's Technique and Working Method in the 1470s: Between Italian and Flemish Tradition - Colin Eisler, Flying Pictorial Carpets - Tapestries' Transalpine Agendas -Ingrid D. Rowland, Agostino Chigi's Flemish Connection- Elizabeth Ross, Mainz at the Crossroads of Utrecht and Venice: Erhard Reuwich and the Peregrinatio in terram sanctam (1486) - Ingrid Alexander-Skipnes, Northern Realism and Carthusian Devotion: Bergognone's Christ Carrying the Cross for the Certosa of Pavia - Marina Belozerskaya, Critical Mass: Importing Luxury Industries Across the Alps - Barbara G. Lane, Memling's Impact on the Early Raphael - Laura D. Gelfand, Regional Styles and Political Ambitions: Margaret of Austria's Monastic Foundation at Brou- Yona Pinson, Moralized Triumphal Chariots - Metamorphosis of Petrarch's Trionfi in Northern Art (c. 1530- c. 1560) - Frits Scholten, Spiriti veramente divini: Sculptors from the Low Countries in Italy, 1500-1600 - Nello Forti Grazzini, Brussels Tapestries for Italian Customers: Cardinal Montalto's Landscape with Animals Made by Jan II Raes and Catherine van den Eynde - Bibliography - Colour Plates.
- Edited by Ingrid Alexander-Skipnes
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