The Ceiling Decoration of the Banqueting Hall
By (author) Gregory Martin
This definitive Catalogue Raisonne of the work of the great Flemish painter Peter Paul Rubens is being published in twenty-seven parts, some parts appearing in more than one volume. The Corpus is based on the material assembled over several decades by Ludwig Burchard, universally recognized as the foremost scholar in this field.
Rubens’s nine paintings in the ceiling of the Banqueting Hall, in Whitehall, London, provided the main decoration of this magnificent room, which was the focal point of Stuart Court ceremonial. Commissioned by King James I and his son, the future Charles I, following the destruction of the early Jacobean Banqueting Hall, their role in enhancing court spectacle came to an end with the fire that destroyed the rest of Whitehall Palace in 1598. The delay in executing the commission was due to matters of state, in which Rubens was involved as a diplomat. His stay in London in this capacity in 1629/30 made possible the realization of this commission. Rubens would have been aware that the Stuarts owed their position to the regal union of the crowns of England and Scotland, that his royal patron had now embraced his father’s pacific policy and that he was the more determined to impose an absolute rule, which his father had eloquently expounded in speeches ad treatises. These three themes form the central core of the cycle which glorified the reign of the late king, James I. The cycle presented Rubens with a great challenge, not only because of the novelty of the subject matter, but also because of the formal problems presented by the huge scale of the work. This volume of the Corpus Rubenianum Ludwig Burchard provides the fullest review to date of the history of the commission, it also unravels the complex preparatory work and places the subject matter in the context of early Stuart political and ethical aspirations.
- By (author) Gregory Martin
Other Titles in this Series
Corpus Rubenianum Ludwig Burchard
Copies and Adaptations from Renaissance and Later Artists: Italian Masters. Titian and North Italian Art
Corpus Rubenianum Part IV
The Holy Trinity, The Life of the Virgin, Madonnas, and The Holy Family: The Holy Trinity and The Life of the Virgin
Volume 4.1
Corpus Rubenianum Ludwig Burchard
Copies and Adaptations from Renaissance and Later Artists: Italian Masters. Artists Working in Central Italy and France
Copies and Adaptations from Renaissance and Later Artists
German and Netherlandish Artists
Volume 26.1
Portraits of Unidentified and Newly Identified Sitters Painted in Antwerp
Corpus Rubenianum Ludwig Burchard XIX.3
Volume 19.3
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
ENTANGLED AFRICA
Intra-African Relations Between Rain Forest and Mediterranean from Around 4,000 BCE to 1,500 CE
Gold, Silver and Glass: Power Networks, Cultural Identities, Technology Transfers and Agency across the Old World (7th Century BC – 1st Century AD)
Proceedings of a Conference Held at the British Museum, 16–18 June 2023
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Listening to the Swan Song
More-than-Human Beings and Sounds in Literature and Culture Through the Ages
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
