Die Romantik
Ein Gründungsmythos der Europäischen Moderne
Edited by Anja Ernst Edited by Paul Geyer Series edited by Uwe Baumann Series edited by Michael Bernsen Series edited by Paul Geyer
Hardback (Published)
(September 2010)
ISBN: 9783899716955
6.46 x 9.69 inches
Price: $163.00
On back order
It is time to install a cultural vision of what is European alongside the technocratic definition. Modern European culture is the only world culture that has developed an ironic, sentimental relation to its cultural heritage. In the knowledge that the values of mediaeval Christianity, the Renaissance, the Reformation and the Enlightenment are no longer sustainable, European culture is at the same time aware that if its heritage is not cultivated, it will lose its identity. Modern Europe’s relationship to its tradition is rooted in Romanticism. Romanticism critically reflects the other epochs and events in European history in terms of their suitability as founding myths for European modernism. A future European cultural science must examine what elements of the heritage of European nation-states is suitable as a European founding myth – for a Europe of the future, and not of the past. This volume provides evidence that Romanticism constitutes one of the most important founding myths of modern Europe. German text.
Anja Ernst ist Wissenschaftliche Mitarbeiterin für Romanistik und promoviert an den Universitäten Bonn und Paris-Sorbonne (Paris IV).
Anja Ernst is Research Assistant in Romance Studies and was awarded her doctorate at the Universities of Bonn and Paris-Sorbonne (Paris IV).
- Edited by Anja Ernst
- Edited by Paul Geyer
- Series edited by Uwe Baumann
- Series edited by Michael Bernsen
- Series edited by Paul Geyer
Other Titles in this Series
Entfremdung in der Arbeitswelt des 21. Jahrhunderts
Darstellungen in der italienischen Gegenwartsliteratur
Proust dixit ?
Réceptions de La Recherche dans l'autofiction de Serge Doubrovsky, Carmen Martín Gaite et Walter Siti
Europäische Gründungsmythen im Dialog der Literaturen
Festschrift für Michael Bernsen zum 65. Geburtstag
Der lyrische Augenblick als Paradigma des modernen Bewusstseins
Kant, Schlegel, Leopardi, Baudelaire, Rilke
Die pittoreske Landschaft in der europäischen Literatur der Romantik
Chateaubriand – Eichendorff – Manzoni
Konfigurationen krisenhafter Wahrnehmung in der Literatur um 1900
Eine Studie über Joris-Karl Huysmans, Gabriele D’Annunzio, Oscar Wilde und Hugo von Hofmannsthal
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