Revoir la fin
Denouements remanies au theatre (XVIIIe-XIXe siecles)
edited by Sylviane Robardey-Eppstein
This volume decodes and analyses the necessities, practices and issues that underpin the process of changing or rewriting denouements in 18th and 19th-century theatre. Of strategic importance and of a sensitive nature, the revision of a play’s ending mobilises all those involved in theatrical activity as it moves from page to stage or from initial performance to later revivals and foreign adaptations.
This volume decodes and analyses the necessities, practices and issues that underpin the process of changing or rewriting denouements in 18th and 19th-century theatre. Of strategic importance and of a sensitive nature, the revision of a play’s ending mobilises all those involved in theatrical activity as it moves from page to stage or from initial performance to later revivals and foreign adaptations.
- Edited by Sylviane Robardey-Eppstein
Other Titles in this Series
L’Eveque conteste
Les resistances a l'autorite episcopale des Pays-Bas a l'Italie du Nord
Volume 557, 5
Esthetique de la guerre – Ethique de la paix
Un siecle de litterature sur la Grande Guerre
Volume 472, 40
Similar Books
John Dunstaple Reading Boethius
John Dunstaple’s Annotations to Boethius’s “De institutione musica” in the Manuscript Oxford, Corpus Christi College Library, MS 118
Music and Colonialism in Fascist Italy
Identity, Propaganda, and Ethnographic Representation
Volume 13
„Parteibuch“, Universalpoesie und weltliterarisches Gesamtkunstwerk
Max Kalbecks monumentale Biografie Johannes Brahms
