Zur Asthetik des Vorlaufigen
edited by Thomas Hochradner, revised by Sarah Haslinger
Hardback (Published)
(November 2014)
ISBN: 9783825364069
6.06 x 9.21 inches
Price: $45.00
In stock
English summary: This book On the Aesthetics of the Provisional (‘Zur Asthetik des Vorlaufigen), offers a synopsis of presentations about two thematically related and interdisciplinary events in cooperation with the cultural institutions of Salzburg. The symposium Sketch-Draft-Sample, which took place in 2011 in the former Salzburg Baroque Museum in the Mirabell Garden, which accommodated the conference as the site where the Rossacher Collection was on display and served as the focal point of the studies, as the displayed paintings were only later completed. Related to aspects of art history, the articles access a variety of themes of the provisional character and preliminaries of art as well as looking at these themes in music, dance, literature, and theater. These texts are accompanied by other points of view, of course. Since the provisional moves in passing, a symposium called Thresholds was held in 2012 in the Residence Gallery in Salzburg, which was concerned with the issues of change and the movements between traditions, creative freedom and nebulous gray areas. German description: ‘Zur Asthetik des Vorlaufigen’ bietet eine Zusammenschau der Referate zweier thematisch verwandter interdisziplinarer Veranstaltungen in Kooperation mit Salzburger Kultureinrichtungen: Das Symposion “Skizze – Entwurf – Probe”, das 2011 im damaligen Salzburger Barockmuseum am Mirabellgarten stattfand, trug dem Tagungsort insofern Rechnung, als die dort gezeigte Sammlung Rossacher ihren Schwerpunkt auf Studien zu spater erst vollstandig ausgefuhrten Gemalden legt. An kunsthistorische Aspekte anknupfend, erschliessen die Beitrage die Themenvielfalt kunstlerischer Vorlaufigkeit auch mit Blick auf Musik, Tanz, Literatur und Theater. Diese Texte werden aus anderem Blickwinkel sinnfallig erganzt. Denn das Vorlaufige im Vorubergehenden ortend, befasste sich auch das 2012 in der Residenzgalerie Salzburg veranstaltete Symposion “Schwellen” mit der Problematik eines Wandels, der sich zwischen Traditionen, kreativem Freiraum und nebuloser Grauzone bewegt.
English summary: This book On the Aesthetics of the Provisional (‘Zur Asthetik des Vorlaufigen), offers a synopsis of presentations about two thematically related and interdisciplinary events in cooperation with the cultural institutions of Salzburg. The symposium Sketch-Draft-Sample, which took place in 2011 in the former Salzburg Baroque Museum in the Mirabell Garden, which accommodated the conference as the site where the Rossacher Collection was on display and served as the focal point of the studies, as the displayed paintings were only later completed. Related to aspects of art history, the articles access a variety of themes of the provisional character and preliminaries of art as well as looking at these themes in music, dance, literature, and theater. These texts are accompanied by other points of view, of course. Since the provisional moves in passing, a symposium called Thresholds was held in 2012 in the Residence Gallery in Salzburg, which was concerned with the issues of change and the movements between traditions, creative freedom and nebulous gray areas. German description: ‘Zur Asthetik des Vorlaufigen’ bietet eine Zusammenschau der Referate zweier thematisch verwandter interdisziplinarer Veranstaltungen in Kooperation mit Salzburger Kultureinrichtungen: Das Symposion “Skizze – Entwurf – Probe”, das 2011 im damaligen Salzburger Barockmuseum am Mirabellgarten stattfand, trug dem Tagungsort insofern Rechnung, als die dort gezeigte Sammlung Rossacher ihren Schwerpunkt auf Studien zu spater erst vollstandig ausgefuhrten Gemalden legt. An kunsthistorische Aspekte anknupfend, erschliessen die Beitrage die Themenvielfalt kunstlerischer Vorlaufigkeit auch mit Blick auf Musik, Tanz, Literatur und Theater. Diese Texte werden aus anderem Blickwinkel sinnfallig erganzt. Denn das Vorlaufige im Vorubergehenden ortend, befasste sich auch das 2012 in der Residenzgalerie Salzburg veranstaltete Symposion “Schwellen” mit der Problematik eines Wandels, der sich zwischen Traditionen, kreativem Freiraum und nebuloser Grauzone bewegt.
- Edited by Thomas Hochradner
- Revised by Sarah Haslinger
Other Titles in this Series
Die Betextung des offentlichen Raumes
Eine Studie zur Spezifik von Meso-Kommunikation am Beispiel von Bahnhofen, Innenstadten und Flughafen
Volume 26
Kulturelle Dynamiken/Cultural Dynamics / Jenseits der Grenze
De-/Re-Lokalisierung u Hybridisierung
Volume 40
Popular Theatre in Early Modern England, Germany and Italy (1570-1640)
A Study in Incultural Theatricality with an Analysis of 'Engelische Comedien und Tragedien' (1620)
Volume 38
Kulturelle Dynamiken/Cultural Dynamics / Kreativitat – Schopferischer Wille und (Uber-)Lebensstrategie
Volume 41
‘Those Gay Days of Wickedness and Wit’
The Restoration Period in Popular Historiographies (18th-21st Centuries)
Volume 35
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
ENTANGLED AFRICA
Intra-African Relations Between Rain Forest and Mediterranean from Around 4,000 BCE to 1,500 CE
Gold, Silver and Glass: Power Networks, Cultural Identities, Technology Transfers and Agency across the Old World (7th Century BC – 1st Century AD)
Proceedings of a Conference Held at the British Museum, 16–18 June 2023
John Dunstaple Reading Boethius
John Dunstaple’s Annotations to Boethius’s “De institutione musica” in the Manuscript Oxford, Corpus Christi College Library, MS 118
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Listening to the Swan Song
More-than-Human Beings and Sounds in Literature and Culture Through the Ages
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Music and Colonialism in Fascist Italy
Identity, Propaganda, and Ethnographic Representation
Volume 13
