Violence and Open Spaces
The Subversion of Boundaries and the Transformation of the Western Genre
edited by Stefanie Muller, Christa Buschendorf and Katja Sarkowsky
Hardback (Published)
(May 2017)
ISBN: 9783825366742
5.31 x 8.31 inches
Price: $67.00
In stock
The classic Western film is characterized by the tension of open and enclosed spaces as well as by the lone hero’s exposure to the vastness of both tempting and dangerous spaces. John Ford’s cinematography in particular has contributed to a specific spatial iconography that is premised on this tension and that survives, albeit transformed, in contemporary (Neo-) Western films. While scholars of the Western genre have long acknowledged a connection between space and violence – beginning with Frederick Jackson Turner’s famous description of the Western frontier – the essays in this collection provide a fresh perspective. Taking Norbert Elias’ The Civilizing Process (1939) and its insights into the interdependence between habitus formation, spatial reorganization and the emergence of a state monopoly of violence as their point of departure, they analyze contemporary visions of open and bounded spaces as well as of the liminal spaces between them in recent films and TV shows.
The classic Western film is characterized by the tension of open and enclosed spaces as well as by the lone hero’s exposure to the vastness of both tempting and dangerous spaces. John Ford’s cinematography in particular has contributed to a specific spatial iconography that is premised on this tension and that survives, albeit transformed, in contemporary (Neo-) Western films. While scholars of the Western genre have long acknowledged a connection between space and violence – beginning with Frederick Jackson Turner’s famous description of the Western frontier – the essays in this collection provide a fresh perspective. Taking Norbert Elias’ The Civilizing Process (1939) and its insights into the interdependence between habitus formation, spatial reorganization and the emergence of a state monopoly of violence as their point of departure, they analyze contemporary visions of open and bounded spaces as well as of the liminal spaces between them in recent films and TV shows.
- Edited by Christa Buschendorf
- Edited by Stefanie Mueller
- Edited by Katja Sarkowsky
Other Titles in this Series
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The Peripatetic Tradition in Nineteenth-Century American Literature and Painting
Volume 134
Deliberately Out of Bounds
Women's Work on Classical Myth in Nineteenth-Century American Fiction
Volume 282
Transnational Mediations
Negotiating Popular Culture between Europe and the United States
Volume 261
American Studies/Shifting Gears
A Publication of the DFG Research Network 'The Futures of (European) American Studies'
Volume 185
Migration – Miscegenation – Transculturation
Writing Multicultural America into the Twentieth Century
Volume 114
Temporality in American Filmic Autobiography
Cinema, Automediality and Grammatology with 'Film Portrait' and 'Joyce at 34'
Volume 187
Medical Humanities in American Studies
Life Writing, Narrative Medicine, and the Power of Autobiography
Volume 292
Faith Matters
Religion, Ethnicity, and Survival in Louise Erdrich's and Toni Morrison's Fiction
Volume 149
Narrative Instability
Destabilizing Identities, Realities, and Textualities in Contemporary American Popular Culture
Volume 305
Schauspiele des Sehens
Die Figur der Flaneurin, Voyeurin und Stalkerin im U.S.-amerikanischen Essay
Volume 239
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