The Sermon
edited by B.M. Kienzle
Paperback (Out of print)
(October 2000)
ISBN: 9782503510156
Price: $308.00
On back order
The central literary genre in the life of medieval Christians and Jews, the sermon is an exceedingly rich but until recently under-utiliezd source for scholars of medieval culture. Extant in thousands of unedited manuscripts, sermons provide cruscial insights into the mentalities of medieval people: yet they also pose difficult methodological challenges. The Sermon, volume 81-83 in the series Typologie des sources du moyen age occidental, offers both a practical guide to methodology and extensive coverage of both Latin and vernacular texts. This significant work provides a bridge from sermonists to other scholars, inviting them into the study of this exciting and challenging genre. The Sermon provides guidelines for historical criticism that apply to the sermon genre. An extensive bibliography of works pertinent to the genre, opens the volume; it is divided into sections corresponding to the subsequent chapters. The book’s Introduction focuses on the definition of the genre, attempting to establish a working typology of the sermon both as a literary genre and as a medieval text. The Jewish Sermon precedes the chapter on Christian sermons: for the latter the genre’s development from Latin to the vernacular serves as the organizational guide. The Latin Sermon is represented in: Early Medieval Homilies and Homiliaries, The Twelfth-Century Monastic Sermon, the Sermons of the Twelfth-Century Schoolmasters and Canons, and the Latin Sermons after 1200. The chapter of medieval preaching in Italy encompasses both Latin and vernacular sermons, and the several chapters devoted to vernacular texts include: Old English; Middle English; Old Norse; French; Spanish; Portuguese and Catalan; and German.Several topics are discussed in each chapter: the definition of the genre, its development, its diffusion, its value for historians, the principal editions and/or manuscripts.
The central literary genre in the life of medieval Christians and Jews, the sermon is an exceedingly rich but until recently under-utiliezd source for scholars of medieval culture. Extant in thousands of unedited manuscripts, sermons provide cruscial insights into the mentalities of medieval people: yet they also pose difficult methodological challenges. The Sermon, volume 81-83 in the series Typologie des sources du moyen age occidental, offers both a practical guide to methodology and extensive coverage of both Latin and vernacular texts. This significant work provides a bridge from sermonists to other scholars, inviting them into the study of this exciting and challenging genre. The Sermon provides guidelines for historical criticism that apply to the sermon genre. An extensive bibliography of works pertinent to the genre, opens the volume; it is divided into sections corresponding to the subsequent chapters. The book’s Introduction focuses on the definition of the genre, attempting to establish a working typology of the sermon both as a literary genre and as a medieval text. The Jewish Sermon precedes the chapter on Christian sermons: for the latter the genre’s development from Latin to the vernacular serves as the organizational guide. The Latin Sermon is represented in: Early Medieval Homilies and Homiliaries, The Twelfth-Century Monastic Sermon, the Sermons of the Twelfth-Century Schoolmasters and Canons, and the Latin Sermons after 1200. The chapter of medieval preaching in Italy encompasses both Latin and vernacular sermons, and the several chapters devoted to vernacular texts include: Old English; Middle English; Old Norse; French; Spanish; Portuguese and Catalan; and German.Several topics are discussed in each chapter: the definition of the genre, its development, its diffusion, its value for historians, the principal editions and/or manuscripts.
- Edited by BM Kienzle
Other Titles in this Series
Similar Books
‘For You I Study, For You I Work, For You I Live, For You I Am Ready To Even Give My Life’
Essays in Honour of Francis (Frank) J Moloney, SDB
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Ars Prophetica
Theology in the Poetry of Twentieth-Century Hebrew Poets Avraham Halfi, Shin Shalom, Amir Gilboa, and T. Carmi
As Messianism Turns to Heresy
The Regenstein Chair Lectures On Lurianic Kabbalah and Shabbatai Tzevi at Hebrew Union College - Cincinnati
Behind the Scenes of Medieval Roofs
An Overview of the Roofing Systems of Italian Churches
Volume 90
Creating the Woman in Antiquity
Proceedings of the 16th Melammu Workshop, Innsbruck, 2–3 June 2022
Volume 13
Drunk the Potion, No Whit Charmed
The Doctrine of Pure and Perfect Souls from Iamblichus to Damascius
Extracanonical Traditions and the Holy Land
Texts, Rituals, and Material Culture in Late Antique Palestine
Fear, Fear of God, God-Fearers
Philological and Historical Perspectives on the World of Ancient Judaism and Christianity
