The Print Collection of Cassiano dal Pozzo. I
Ceremonies, Costumes, Portraits and Genre
By (author) Mark McDonald
Hardback (Published)
(February 2017)
ISBN: 9781909400788
8.62 x 11.18 inches
Price: $119.00
In stock
Indeed Cassiano’s collection has been described as ‘so far outside the common range of print collectors both in the seventeenth century and today that a very high proportion of its contents is excessively rare and will only with great difficulty be found elsewhere’. This groundbreaking catalogue will be an essential resource not only
Cassiano dal Pozzo’s print collection was unique in its scope and organisation. Some 3,000 prints are known, in nine albums and many loose impressions mainly divided between the British Library and the Royal Library at Windsor Castle. Cassiano (1588-1657) and his younger brother Carlo Antonio dal Pozzo (1606-89) did not commission printmakers to engrave plates (as they did drawings), buying instead what was available from the flourishing printmaking industry of the time. The material they collected was essentially documentary, and they organised the collection by subject matter: costumes, religious processions and ceremonies, tombs and catafalques, the history of St Peter’s, architecture, topography, maps and military engagements, portraits, social and humorous subjects, and so on. This first part of the catalogue presents ceremonies, costumes, portrait and genre prints. A remarkable proportion of the prints are not to be found in the existing literature, and many constitute additions to the known works of major printmakers. Indeed Cassiano’s collection has been described as ‘so far outside the common range of print collectors both in the seventeenth century and today that a very high proportion of its contents is excessively rare and will only with great difficulty be found elsewhere’. This ground-breaking catalogue will be an essential resource not only for students of prints, but for all those studying European visual culture in the seventeenth century.
- By (author) Mark McDonald
Other Titles in this Series
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Beyond Sovereign Courts
Agents and Practices in Early Modern Spanish and Habsburg Diplomacy
Volume 3
Circulation, Use, Impact
The Consumption of Architectural Books in the Early Modern Eastern Adriatic
Volume 1
Councils, Conflicts, Correspondence
Urban Diplomacy in Reval (Tallinn) and Lübeck (c. 1470–1570)
Volume 67
ENTANGLED AFRICA
Intra-African Relations Between Rain Forest and Mediterranean from Around 4,000 BCE to 1,500 CE
Gold, Silver and Glass: Power Networks, Cultural Identities, Technology Transfers and Agency across the Old World (7th Century BC – 1st Century AD)
Proceedings of a Conference Held at the British Museum, 16–18 June 2023
Homo-Politicus in the Balkans
Early Modern Southeast European History in Imperial and Regional Context
Innovationes Lovanienses: Arts, Law and Theology at the University of Louvain (1425–1797)
Studium Lovaniense: Learning across Borders, 2
Volume 18
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Listening to the Swan Song
More-than-Human Beings and Sounds in Literature and Culture Through the Ages
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
