Studies in Iconography, Volume 46 (2025)

Thematic Cluster: "Looking at Language"
Papers from the 2022 Index of Medieval Art conference
Looking At and Through Language: The Visuality of Text in Early Medieval England by Benjamin C. Tilghman
What's in a Name? Orthographic Evidence, Iconographic Models, and Artistic Invention in Middle-Byzantine Mosaic Decoration by Warren T. Woodfin
Looking at Language in a Multilingual Environment: Sephardic Art between the Domestic and the Communal by Sarit Shalev-Eyni

Articles
Demonic to Divine: The Centaur as a Christianizing Figure in Benedetto di Montagna's St. Anthony and the Centaur by Trinity Martinez
The Annunciation Triptych: How the Engelbrechts Saw it by Elizabeth C. Parker
The Anxious Image: Figuration and Falsification in Medieval Iberian Charters by Shannon L. Wearing
The Study of Anti-Jewish Representation in Medieval Christian Europe (Latin West and Greek East): A Critical Historiographical Overview by Marcia Kupfer

Reviews
Jeffrey F. Hamburger, David J. Roxburgh, and Linda Safran, eds. The Diagram as Paradigm: Cross-Cultural Approaches by Eric Ramírez-Weaver
Sarah Guérin. French Gothic Ivories: Material Theologies and the Sculptor's Craft by Paula Mae Carns
Christian Heck. Le Retable de l'Annonciation d'Aix. Récit, prophétie et accomplissement dans l'art de la fin du Moyen Âge by Éric Palazzo
Robin Milner-Gulland Andrey Rublev: The Artist and His World by Wendy Salmond

• By (author) Benjamin C. Tilghman
• By (author) Warren T. Woodfin
• By (author) Sarit Shalev-Eyni
• By (author) Trinity Martinez
• By (author) Elizabeth Parker
• By (author) Shannon L. Wearing
• By (author) Marcia Kupfer
• By (author) Eric Ramirez-Weaver
• By (author) Paula Mae Carns
• By (author) Eric Palazzo
• By (author) Wendy Salmond